Frank Rautenbach leads a strong cast as Angus Buchan, a Zambian farmer of Scottish heritage, who leaves his farm in the midst of political unrest and racially charged land reclaims and travels south with his family to start a better life in KwaZulu Natal,South Africa.

A renowned former army scout is hired by ranchers to hunt down rustlers but finds himself on trial for the murder of a boy when he carries out his job too well. Tom Horn finds that the simple skills he knows are of no help in dealing with the ambitions of ranchers and corrupt officials as progress marches over him and the old west.

Maya, a 19 year old queer pixie, gets romantically involved with her sexually fluid insta-crush and unknowingly inserts herself into a twisted love triangle.

A young, naive Hollywood studio assistant finally turns the tables on his incredibly abusive producer boss.

Raymond Saxx Jr., a powerful record producer, wakes from a drug-induced blackout to find himself locked up and classified “K-11.” Plunged into a nightmarish world ruled by a transsexual diva named Mousey, Raymond is truly a fish out of water. Complicating matters are a troubled young transgender named Butterfly, a predatory child molester and the ruthless Sheriff’s Deputy, Lt. Johnson. Ray’s struggle to contact the outside world and regain his freedom seems impossible, but he must learn to navigate this new power structure if he is ever going survive and be in control of his life again.

A ruthlessly ambitious Scottish lord siezes the throne with the help of his scheming wife and a trio of witches.

BRUTAL centers on Trevor (Morgan Benoit), abducted from his backyard at the age of fifteen by an unseen alien presence. Forced into nearly two decades of no-holds-barred fights against other abductees inside an unearthly mixed martial arts arena, Trevor has evolved from an innocent boy into a brutal fighting machine. Derek, (Jeff Hatch) an ambulance chasing lawyer, is the latest lab-rat abductee forced to fight Trevor. As the two men exchange ever-increasing beating over the course of weeks and months, the brutality of their existence and the true nature of their humanity is slowly revealed. With elements of THE TWILIGHT ZONE and THE PRISONER, BRUTAL explores through science fiction, allegory and psychological drama, man’s violent nature and our propensity to commit unthinkable acts of violence against each other. Yet through this prism of brutality our capacity to love one another, even in the worst of circumstances is celebrated.

A teenager prisoner awaits his release when two weeks before that happens he’s told that his mother is returned home. Meanwhile, he finds himself in love with a Sociology student, Ana, working in the penitentiary as an intern.

Goose leaves the gang life behind after pleas from his girlfriend. But it isn’t long before he’s pulled back into the world of violence.

Olga is a complex young woman desperate to break free from her unfeeling family and social conventions. With her Louise Brooks-like tomboyish looks she drags herself, chain-smoking, from one job to another until she appears to find her niche as a truck driver. Although she has female lovers she does not form a bond with any of them; instead she clashes, time and again, venting herself in wordless emotional outbursts and other behavioural extremes.

A dysfunctional family under suspicion of murder after three bodies mysteriously appear on their ranch are terrorised by what they can only describe as Bigfoot.

Wyatt Earp and his brothers Morgan and Virgil ride into Tombstone and leave brother James in charge of their cattle herd. On their return they find their cattle stolen and James dead. Wyatt takes on the job of town marshal, making his brothers deputies, and vows to stay in Tombstone until James’ killers are found. He soon runs into the brooding, coughing, hard-drinking Doc Holliday as well as the sullen and vicious Clanton clan. Wyatt discovers the owner of a trinket stolen from James’ dead body and the stage is set for the Earps’ long-awaited revenge.