The plot follows the individual journeys of three ordinary South African men in the build up to their attendance of the 2010 Mighty Men Conference, where their lives are forever changed by God’s message for them.
Basson has five days to make it to his father’s funeral in Cape Town, but needs to complete certain tasks on this trip before he can call the family company his own. On the road he meets free-spirited bohemian girl, Amory. As they journey across the breathtaking landscape of South Africa, they meet wonderful characters that allow for hilarious moments and life-changing experiences. Their trip takes a sudden turn for the worst when a villainous figure makes an appearance. Basson and Amory are faced with disappointment and heartache. On the road called life, it is inevitable that you will take some wrong turns. But no matter how hard the road might be, on route to true love is where you will find your true north.
A new case for the cult detectives! Not by coincidence, a mysterious videotape falls into the hands of Jupiter Jones (CHANCELLOR MILLER), Pete Crenshaw (NICK PRICE) and Bob Andrews (CAMERON MONAGHAN) during Jupiter’s birthday party in Rocky Beach. On it is a recording of Jupiter’s long dead parents. In their message they want to communicate to their son the key to an especially tricky riddle.
Jonathan Anselme, a young English academic, teams up with Max Böhm, an amateur ornithologist, to follow storks on their migration from Switzerland to Africa. Max wants to find out why some birds never return from this journey. However, after Max is found dead in mysterious circumstances, Jonathan decides to make the trip alone, never suspecting that he will find himself caught up in an international web of intrigue. While the Swiss detective Dumaz investigates Max Böhm’s murky past, Jonathan is forced to confront his own troubled history. He uncovers a trail of grisly murders travelling through Bulgaria, Turkey, the Middle East, the Congo along the pathway of the migrating storks and their deadly secret.
Trevor Noah is back, rubbing our noses in the many faces of racism in his new one-man show, recorded live at the Lyric Theatre. This record-breaking show boasts 80 sold-out performances and promises to be his best performance yet.
A politically incorrect comedy that enthralls the viewer into a strategic moment in history where wrong is right and right is wrong, and ultimately answers that age-old question: Is blood really thicker than water? And, if war kills, can weed heal?!
Young Musa is orphaned after a mysterious illness strikes his village in KwaZulu Natal. To help his grandmother, Musa sets out for Johannesburg with his father’s last gift, a tribal drum, in search of work and his uncle. The journey confronts him with the stark realities of urban life, but his indomitable spirit never wavers; he returns with a truth and understanding his elders have failed to grasp.
Paul Simon returns to South Africa to explore the incredible journey of his historic Graceland album, including the political backlash he received for allegedly breaking the UN cultural boycott of South Africa designed to end the Apartheid regime. On the 25th anniversary of Paul Simon’s GRACELAND, acclaimed documentary filmmaker Joe Berlinger offers a glimpse at the controversy surrounding the decision to record the album in South Africa despite a UN boycott of the nation, which was aimed at ending apartheid. In the run-up to an eagerly anticipated reunion concert, Simon, Quincy Jones, Peter Gabriel, David Byrne, Harry Belafonte, Paul McCartney and others reflect on the decision to record with local artists in South Africa, and the cultural impact of the album that delivered such hits as “I Know What I Know” and “You Can Call Me Al.”
The South African multi-award winning film about a young South African boy from the ghetto named Tsotsi, meaning Gangster. Tsotsi, who left home as a child to get away from helpless parents, finds a baby in the back seat of a car that he has just stolen. He decides that it his responsibility to take care of the baby and in the process learns that maybe the gangster life isn’t the best way.
Director Alfred Hitchcock is revered as one of the greatest creative minds in the history of cinema. Known for his psychological thrillers, Hitchcock’s leading ladies were cool, beautiful and preferably blonde. One such actress was Tippi Hedren, an unknown fashion model given her big break when Hitchcock’s wife saw her on a TV commercial. Brought to Universal Studios, Hedren was shocked when the director, at the peak of his career, quickly cast her to star in his next feature, 1963’s The Birds. Little did Hedren know that as ambitious and terrifying as the production would be to shoot, the most daunting aspect of the film ended up coming from behind the camera.
Twenty-five years ago Adib (Alexander Siddig, Syriana, Cairo Time), a promising young officer in the Syrian military police, suddenly left Damascus under suspicious circumstances. Abandoning the love of his life Fatima (Marisa Tomei, The Wrestler, The Ides of March), he made his way to Canada and wiped the slate clean. With a beautiful wife, two grown daughters, and a great job in Toronto, Adib is confident he s built a successful life from scratch. But when his daughter Muna suddenly disappears in Damascus, his past threatens to violently catch up to him. Teaming up with a Canadian emissary (Joshua Jackson, Fringe), Adib must now confront the turmoil he thought he left behind so many years ago in order to find Muna.
ANGELS IN THE DUST is the story of a courageous, self-sacrificing, fiercely loving woman who chooses a spiritual path over a material one; it tells of the life-changing power of one compassionate heart. For a nation overwhelmed by an epidemic of HIV/AIDS, orphans, rape, violence, and Apartheids legacy of social and political unrest, the film offers a clear pathway of hope and a replicable paradigm for the future.
The true story of a white South African racist whose life was profoundly altered by the black prisoner he guarded for twenty years. The prisoner’s name was Nelson Mandela.
“Africa United” tells the extraordinary story of three Rwandan children who attempt to realize the dream of their life: to attend the opening ceremony of the FIFA World Cup 2010 at Johannesburg. But the problems begin when Fabrice, Dudu and Béatrice get on the wrong bus and end up in Congo. Without papers, without money, they are brought into a children’s refugee camp. But with incredible ingenuity, a some guts and a poster for the World Cup as a map, our heroes escape from the camp and leave to pursue their dreams, bringing with them a “dream team” of refugee children to help them through a series of exciting adventures. During this journey of 5000 km through seven countries, the film reveals an unseen Africa.
Away from professional stadiums, bright lights, and manicured fields, there’s another side of soccer. Tucked away on alleys, side streets, and concrete courts, people play in improvised games. Every country has a different word for it. In the United States, we call it “pick-up soccer.” In Trinidad, it’s “taking a sweat.” In England, it’s “having a kick-about.” In Brazil, the word is “pelada,” which literally means “naked”—the game stripped down to its core. It’s the version of the game played by anyone, anywhere—and it’s a window into lives all around the world. Pelada is a documentary following Luke and Gwendolyn, two former college soccer stars who didn’t quite make it to the pros. Not ready for it to be over, they take off, chasing the game. From prisoners in Bolivia to moonshine brewers in Kenya, from freestylers in China to women who play in hijab in Iran, Pelada is the story of the people who play.
After Fanie takes Dinky, a strong Zulu woman, to his Afrikaans family wedding, the two find an unexpectedly fun cross-cultural romance. But in order to marry Dinky, Fanie must negotiate to pay Lobola (a South African dowry).
In this unique and riveting film, a troubled man has a series of dreams in which he finds himself thrown back to a time before his birth, into the Angolan Border War, as a combat soldier. There he meets his father as a young man, when he was a member of the Special Forces. As they go through combat together, the son gets to know his father in a way he never has, giving him insight and compassion, and he is able to let go of lifelong feelings of abandonment, resentment and anger. This leads to forgiveness and a real-life reconciliation, which drives home the underlying message of this film restoring the hearts of the fathers to the children and the hearts of the children to the fathers.
Perfectionist Nandi seems to have the New South African Dream life within her grasp, black female partner in a major firm, marriage, the perfect house – but it all goes up in flames a few months before the wedding. With her friends Zaza and Princess, Nandi will have to find out what truly makes her happy and then fight to get it.
Newlyweds Mary and Matt celebrate Christmas – and their passion for running – with two honeymoon tickets to Africa’s ultimate footrace, The Furnace. Their excitement to race together across the biggest animal reserve in the world has them inspired. Then in a horrific flash, everything’s gone including Mary’s purpose for living.
Directed by Ian Gabriel, “Four Corners” revolves around a 13-year-old chess whiz drawn into the Cape Town’s well-known child-gang culture. Touted as the first film to delve into the 100-year-old war between South Africa’s so-called Number gangs, the 26 and the 28, it blends the Sabela, Tsotsi-taal and Cape Afrikaans dialects and mixes established talents with non-actors and first-time thesps from schools and communities across the Cape Flats.
Busi, a young destitute woman with dangerously repressed emotions, lands a job as a cleaner at a rundown hospital in the heart of Johannesburg. Desperate for the money so she can bring her younger sister to Johannesburg, she must cope despite the predatory and corrupt hospital manager. When Busi discovers an abandoned young girl in the hospital, who believes she is tormented by a supernatural force, Busi must face her own demons from her past in order to save the child from the abusive monster that pursues them both relentlessly.