Relu is a family man. He has two children, a wife and a double life. Seen through the eyes of his family, Relu Oncescu appears to be an ordinary taxi driver. No one suspects that Relu works as a collector for Capitanu’, a local mobster. Neither of the two worlds (his family and the mafia) knows of the other’s existence. Relu manages to keep everything under control, but not for long. After accidentally killing a man, he tries to get out of the underworld, but he can’t find his way back. Day by day, the secrets he keeps become increasingly oppressive and the lies begin to surface, one by one.
Two strangers, Philippe and Paul head down a dark and twisted path inside themselves, as they uncover the connection between them. Together, they are forced to confront their choices, their shared history, and ultimately their humanity.
Miami Bici is the story of Ion and Ilie, two young people from a small dark city in Romania who go to Miami in the middle of winter, to live both the “American Dream” and the Romanian dream of “getting rich quick”. Once there, they find themselves in the middle of the Machiavellian plan of Mișu, a Romanian of the lowest species, established in Florida.
A Romanian police officer, determined to free from prison a crooked businessman who knows where a mobster’s money is hidden, must learn the difficult ancestral language (Silbo Gomero) used on the island of Gomera.
CIA agents Palmer and Gagano are tasked with the perilous mission of destroying “The Soviet Union”! As they enter the system using a VR simulation, their mission quickly turns into a delirious trap far more complex than expected, as the fabric of reality starts unraveling around them. A cornucopia of stylistic influences, virtuosic cinematic techniques, and set design (ranging from stop-motion animation to stylized live-action), Llanso’s latest blends inter-dimensional intrigue, spy-fi, kung-fu, and Philip K. Dick-esque mind-melting weirdness to achieve truly unclassifiable results.
Jovana Fey (Sophie Desmarais) is a novelist. Her first two books received positive reviews, but were a commercial failure. Her third, Don’t Read This on a Plane, has just been released – an amusing, risqué chronicle of a woman’s dalliances with a hundred women. Jovana hopes it will bring the success she craves.
An apartment kitchen: a man and a woman discuss Little Red Riding Hood, their voices hushed, mindful of waking the little girl sleeping next room. Waste land on the city outskirts: behind a line of abandoned trailers, the man silently watches what seems to be a family. The same city, the same man: driving through traffic with two hand-made firing pins for a hunting rifle. The man is 42 years old, his name – Viorel. Troubled by obscure thoughts, he drives across the city to a destination known only to him.
In the aftermath of a tragic fire in a Romanian club, burn victims begin dying in hospitals from wounds that were not life threatening. A team of investigative journalists move into action uncovering the mass corruption of the health system and of the state institutions. Collective follows journalists, whistle blowers, and authorities alike. An immersive and uncompromising look into a dysfunctional system, exposing corruption, propaganda, and manipulation that nowadays affect not only Romania, but societies around the world.
Marshall Lawson is the commander of an elite military unit. Marshall Lawson loses his strike-team in a cold-blooded and seemingly random attack, and he takes it upon himself to investigate the attack, with the help of his girlfriend Tia and his friend Dwayne.
Emi, a school teacher, finds her career and reputation under threat after a personal sex tape is leaked on the Internet. Forced to meet the parents demanding her dismissal, Emi refuses to surrender to their pressure. Radu Jude (Aferim!) delivers an incendiary mix of unconventional form, irreverent humor and scathing commentary on hypocrisy and prejudice in our societies.
With the human race’s future at stake, a group of young men and women embark on an expedition to colonize a distant planet. But when they uncover disturbing secrets about the mission, they become helpless for pleasure, hunger, and power once avoiding drinking the ‘Blue’. The Blue is a drug that keeps them from having sexual feelings and for not having power and strength. They then begin to explore their most primordial natures and try and find a way out of the spaceship.
In Bucharest on a winter’s morning, a couple make love. Adina wants to move in with her boyfriend Radu as soon as possible. He, on the other hand, is slightly more reluctant but appears to simply tolerate her plans. Today is New Year’s Eve and Radu and Adina have a lot to do: the two have planned a visit to Adina’s parents followed by a party with friends. While buying last-minute gifts at the supermarket, Radu thinks he spots ex-girlfriend Nadja, who he has never forgotten. In one small moment, Radu’s insecurities about Adina come bubbling to the surface. No sooner have the corks begin to pop, the relationship comes to an abrupt end. This is followed by the perfectly timed offer from Radu’s friend Alex to hit the town with him and his friends. Radu accepts the offer in the hope that Nadja is also out. Director Paul Negogescu draws a portrait of Radu with precision and subtle irony – and captures the atmosphere of a New Year’s evening with great authenticity.
Georgiana Halmac is turning 15 this winter, but she has no time for teenage dreams when her mother, who’s on unemployment, moves to Torino to find work. Georgiana is left in charge of her six siblings in a social housing condo on the outskirts of Bacau, Romania. Caught between adolescence and the responsibilities of adulthood, Georgiana does the best she can, improvising with parenting advice from the television and the occasional phone call with her mother. As she handles her own issues and high-school dramas, Georgiana must also deal with admonishing neighbours who threaten to turn the whole family into social services. With incredible calm and stoicism, Georgiana amazes as she holds everything together in an ingenious and delicate balance.
A grieving upper class woman becomes a “Lady Visitor” at Millbank prison, hoping to escape her troubles and be a guiding figure in the lives of the female prisoners. Of all her friendships with prisoners, she is most fascinated by Selina – a medium.
One worker in a bankrupt factory finds an unusual solution to save his co-workers from unemployment. If it doesn’t work the factory will be privatized and sold to a French company planning to convert the plant into a snail cannery. Only 300 of the 3000 workers will keep their jobs.
Heather Graham and James Purefoy play a couple who desperately want to have a baby. Unfortunately, she has been diagnosed as infertile, and the couple can’t afford the medical treatments that might allow her to conceive. Good fortune appears to be smiling on the couple when they are given an opportunity to receive free treatments at a mysterious fertility clinic.
When the Soviet Army marched into Romania in 1944, a part of the Romanian population went “into the mountains” – a diverse assortment of nationalists and fascists, liberals, apolitical farmers and members of the middle-class, who were affected by the Communists’ expropriations. Over a thousand armed resistance groups took refuge in the inaccessible forests of the Carpathian Mountains where they waited in vain for the support of the Western Allies. One of them was led by Ion Gavrilă-Ogoranu, who managed to remain undetected until 1976 when he was arrested. This film depicts the daily existence of this group. It tells the story of a struggle that became an end in itself, as the enemy was constantly in pursuit and arrest meant torture and often liquidation. Hungry and emotionally withdrawn, the group of young men got entangled in a partisan war that could not be won, lost in the landscape of the South Carpathians, accompanied by a vigilant secret police, the Securitate.
A teenager prisoner awaits his release when two weeks before that happens he’s told that his mother is returned home. Meanwhile, he finds himself in love with a Sociology student, Ana, working in the penitentiary as an intern.
Paranoid computer programmer Simon wakes up to find a package in his room one day. Despite attempts at securing his apartment, the packages keep arriving. While cameras watch Simon’s every move, he struggles to find the answers to the mysterious forces taking over his life.
Bucharest, 2009. Twenty years after Romanian Revolution, Tavi Ionescu, a nice but quite immature guy for his late 30’s finds out from his Securitate (Romanian Secret Police) file that he could be the father of a son he didn’t know about. Starting his own secret investigation, Tavi is caught by a complicated past that now comes to reveal ugly hidden truths, messing up his life and the life’s of the ones close to him. For the first time in his life, Tavi is forced to take really mature decisions.
A hardened vampire hunter and a journalist travel to a village in Transylvania to investigate a mysterious event that happened in Zalesky Castle. The duo are guided by a young Romanian girl and joined by a Korean television reality show team as they attempt to untangle the community’s secrets.
Devastated by the First World War and plunged into political controversy, Romania’s every hope accompanies its Queen on her mission to Paris, to lobby for its great unification’s international recognition at the 1919 Peace Talks.
Oh, Ramona! seeks the transformation of Andrew from a teenager into an adult who lives candidly and selflessly his first love story, innocent and uninvolved, alternating with the second, intense and insane story, incapable of making a choice. Oh, Ramona! is the cinematic rewriting of Andrei Ciobanu’s book “Suge-o, Ramona!”.
The colourfully named gold prospector Hermann Kermit Warm is being pursued across 1,000 miles of 1850s Oregon desert to San Francisco by the notorious assassins Eli and Charlie Sisters. Except Eli is having a personal crisis and beginning to doubt the longevity of his chosen career. And Hermann might have a better offer.