Dennis Haysbert
The last Gunslinger, Roland Deschain, has been locked in an eternal battle with Walter O’Dim, also known as the Man in Black, determined to prevent him from toppling the Dark Tower, which holds the universe together. With the fate of the worlds at stake, good and evil will collide in the ultimate battle as only Roland can defend the Tower from the Man in Black.
A young African-American couple navigates the tricky paths of romance and athletics in this drama. Quincy McCall (Omar Epps) and Monica Wright (Sanaa Lathan) grew up in the same neighborhood and have known each other since childhood. As they grow into adulthood, they fall in love, but they also share another all-consuming passion: basketball. They’ve followed the game all their lives and have no small amount of talent on the court. As Quincy and Monica struggle to make their relationship work, they follow separate career paths though high school and college basketball and, they hope, into stardom in big-league professional ball.
The Minus Man is a 1999 film based on the novel by Lew McCreary. It was directed by Hampton Fancher, who also wrote the screenplay. The film centers on a psychotic killer whom Fancher describes as “a cross between Psycho’s Norman Bates, Melville’s Billy Budd and Being There’s Chauncey Gardner”
The relationship between two mismatched people who try to move past their baggage to make their love work.
During a rescue mission, a team of Navy Seals discover that a terrorist group have access to deadly US built Stinger missiles, and must set out to locate and destroy them before they can be used.
Brothers Vincent (rich) and Clay (poor) meet up for the first time after their father’s funeral and remark on how similar they look. But unknown to Clay, who thinks his life is taking a turn for the better, Vince is actually plotting to kill him with a car bomb and pass the corpse off as his own, planning to start a new life elsewhere with his father’s inheritance. But Clay survives the blast and has his face, memory and identity restored in hospital… but are they the right ones?
Following a wild night out with his Best Man, Rob Anderson wakes up to find himself naked in an elevator on the morning of his wedding day and is forced to relive the morning over and over again.
Matt Ryder is convinced to drive his estranged and dying father Benjamin Ryder cross country to deliver four old rolls of Kodachrome film to the last lab in the world that can develop them before it shuts down for good. Along with Ben’s nurse Zooey, the three navigate a world changing from analogue to digital while trying to put the past behind them.
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