When writer’s block derails the literary dreams of Olly Pickering, he has to move in with his friend Murray after losing all his money. Things start to look up when Olly’s college pal James asks him to be the best man at his wedding. Prior to the nuptials, Olly is drawn to a woman whom he thinks is the bride’s sister — only she turns out to be the bride, Sarah. Can Murray, who dislikes James, help get Sarah and Olly together?

When she receives word that her longtime platonic pal Michael O’Neal is getting married to debutante Kimberly Wallace, food critic Julianne Potter realizes her true feelings for Michael — and sets out to sabotage the wedding.

Good-looking, well-spoken Phil is broke and cannot understand how flatmate James has recently acquired a lot of extra cash and a permanent grin on his face. James’s secret? Adonis Escorts – 40 pounds an hour, 150 for the night. Faced with imminent eviction, a reluctant Phil is persuaded to join the agency and soon the two gigolos have a loyal following including bored housewife, Frances. In fact business is booming until love rears its ugly head. And then chaos reigns as James falls in love with Phil, Phil falls in love with Helen, Helen takes Phil home to her mother – Frances, Frances goes crazy because she had fallen for her daughter’s new boyfriend Phil, and Darren just wants to make it alright – by settling down with James. Who is definitely not gay. Just confused!

A rock band gets stuck on a haunted farm while visiting its lead singer’s family.

As stated in the opening titles and at the end Freakstars 3000 is supposed to be a commentary on the problems of the non-disabled people. The more I was shocked about how the disabled were depicted in this film the more I started to realize that in every non-disabled TV counterpart of this show (German TV shows like “Popstars” or “Friedmann” or the home shopping channels) its mentally “non-handicapped” participants are treated in a completely identical way: The total prostitution of the mind in front a huge TV audience at the expense of one’s most important gifts one should hang on to: dignity. On the other hand one could completely understand people who are furious about “exploiting” these handicapped persons. But that’s what Schlingensief’s works are all about: shock people and don’t care about those who cannot or will not try to get the message (if there is one).

A series of loosely connected skits that spoof news programs, commercials, porno films, kung-fu films, disaster films, blaxploitation films, spy films, mafia films, and the fear that somebody is watching you on the other side of the TV.

A documentary which chronicles a ninety-year-old love story, through the collective voice of seventy ladies.

A sixties psychedelic counterculture clash occurs during the “Summer of Love” when an aspiring hippie from New York dupes the son of a Swedish dairy farmer into smuggling illegal margarine into butter-rich Wisconsin

Sandra Bland was a bright, energetic activist whose life was cut short when a traffic stop resulted in a mysterious jail cell death just three days later.

Tired of being locked in a reptile house where humans gawk at them like they are monsters, a ragtag group of Australia’s deadliest creatures plot an escape from their zoo to the Outback, a place where they’ll fit in without being judged.

Filmed in Karasjok, Norway – 200 miles north of the Arctic Circle, BBC Four rigs a traditional reindeer sleigh with a fixed camera for a magical journey across the frozen wilderness of the Arctic. Following the path of an ancient postal route, the ride captures the traditional world of the Sami people who are indigenous to northern Scandinavia and for whom reindeer herding remains a way of life. Deliberately unhurried, the rhythmic pace of the reindeer guides us along an epic two-hour trip that takes us over undulating snowy hills, through birch forests, across a frozen lake and past traditional Sami settlements.

Streetwise but down-on-his-luck, Clarence is struggling to find a better life for his family, while fighting to free himself of debt. Captivated by the power and glory of the rising Messiah and His apostles, he risks everything to carve his own path to a divine life, and ultimately discovers that the redemptive power of belief may be his only way out.