The Decline of Western Civilization III is a 1998 documentary film directed by Penelope Spheeris that chronicles the gutter punk lifestyle of homeless teenagers. It is the third film of a trilogy by Spheeris depicting life in Los Angeles at various points in time. The first film dealt with the punk rock scene during 1980-1981. The second film covers the Los Angeles heavy metal movement of 1986-1988. The film involves hardcore street punks called “gutter punks” who take the anti-establishment message with extreme seriousness, and tune out society completely. Spheeris talks to homeless teenagers living on the street or squatting in abandoned buildings in Los Angeles, as well as an unstable mother, Los Angeles Police Department officer Gary Fredo, and a paralyzed youth living on a disability.

The film explores the global power and impact of the music of John Coltrane and reveals the passions, experiences and forces that shaped his life and revolutionary sounds.

Meant to be a retreat for elite American athletes, Foxcatcher Farms, and all it was intended to represent, was lost in the paranoid downward spiral of its troubled benefactor John Du Pont. Heir to the Du Pont family fortune, John Du Pont funneled his considerable resources into his love of sports—wrestling in particular. Aiming to reinvigorate the US Olympic wrestling team, Du Pont created Foxcatcher, and invited gold medal champion Dave Schultz to lead the charge. What began as an idealistic sports idyll soon deteriorated into suspicion, distrust, and ultimately murder.

This feature documentary portrays one of the most important museums in the world, the Kunsthistorisches Museum Wien. It presents a unique look behind the scenes of this fascinating institution and encounters a number of charismatic protagonists and their working fields unfolding the museum’s special world – as an art institution as well a vehicle for state representation.

Brash and opinionated, Christine Choy is a documentarian, cinematographer, professor, and quintessential New Yorker whose films and teaching have influenced a generation of artists. In 1989 she started to film the leaders of the Tiananmen Square pro-democracy protests who escaped to political exile following the June 4 massacre. Though Choy never finished that project, she now travels with the old footage to Taiwan, Maryland, and Paris in order to share it with the dissidents who have never been able to return home.

This documentary is an intimate and unnerving portrait of the events surrounding the most extensive scientific study of a paranormal hotspot in human history.

August 25, 1991, AC/DC at England’s famous Mosters of Rock festival at Castle Donington. This was the band’s first major live release with lead singer Brian Johnson. Special bonus features include audio commentary by band members, iso-cam versions of select songs for each band member, Stereo and 5.1 Surround Sound, newly mixed and mastered, more.

Ten years ago Hurricane Katrina devastated the coast of Louisiana. Five years later the Deepwater Horizon exploded and spilled more than 200 million gallons of oil into the Gulf of Mexico, the worst ecologic disaster in North American history. Amazingly those aren’t the worst things facing Louisiana’s coastline today. It is that the state is fast disappearing. When on Earth Day 2010 BP’s Deepwater Horizon exploded and sank many in Louisiana predicted it would change the state’s coastline forever, both its economy and its people. How has the coast changed in the past five years?

The captivating tales of the people and events behind one of humanity’s greatest achievements in exploration: NASA’s Voyager mission.

A colorful portrait of Miami’s pot smuggling scene of the 1970s, populated with redneck pirates, a ganja-smoking church, and the longest serving marijuana prisoner in American history.

A fascinating look at how American agricultural policy and food culture developed in the 20th century, and how the California food movement rebelled against big agribusiness to launch the local organic food movement.

TimeScapes is the debut film from award-winning cinematographer and director Tom Lowe. The film features stunning slow-motion and timelapse cinematography of the landscapes, people, and wildlife of the American South West. Lowe spent 2 years roaming the Southwest in his Toyota pickup truck shooting the film.