Mock the Week is a British topical celebrity panel game hosted by Dara Ó Briain. The game is influenced by improvised topical stand-up comedy, with several rounds requiring players to deliver answers on unexpected subjects on the spur of the moment.

Blue’s Clues is an American children’s television show that premiered on September 8, 1996 on the cable television network Nickelodeon, and ran for ten years, until August 6, 2006. Producers Angela Santomero, Todd Kessler and Traci Paige Johnson combined concepts from child development and early-childhood education with innovative animation and production techniques that helped their viewers learn. It was hosted originally by Steve Burns, who left in 2002 to pursue a music career, and later by Donovan Patton. Burns was a crucial reason for the show’s success, and rumors that surrounded his departure were an indication of the show’s emergence as a cultural phenomenon. Blue’s Clues became the highest-rated show for preschoolers on American commercial television and was crucial to Nickelodeon’s growth. It has been called “one of the most successful, critically acclaimed, and ground-breaking preschool television series of all time”. A spin-off called Blue’s Room premiered in 2004.

The show’s producers and creators presented material in narrative format instead of the more traditional magazine format, used repetition to reinforce its curriculum, and structured every episode the same way. They used research about child development and young children’s viewing habits that had been conducted in the thirty years since the debut of Sesame Street in the U.S. They revolutionized the genre by inviting their viewers’ involvement. Research was part of the creative and decision-making process in the production of the show, and was integrated into all aspects and stages of the creative process. Blue’s Clues was the first cutout animation series for preschoolers, and resembled a storybook in its use of primary colors and its simple construction paper shapes of familiar objects with varied colors and textures. Its home-based setting was familiar to American children, but had a look unlike other children’s TV shows. A live production of Blue’s Clues, which used many of the production innovations developed by the show’s creators, toured the U.S. starting in 1999. As of 2002, over 2 million people had attended over 1,000 performances.

Plebs follows three desperate young men from the suburbs as they try to get laid, hold down jobs and climb the social ladder in the big city – a city that happens to be Ancient Rome.

Not Available

Aan irreverent and outrageous take on true family love‐and dysfunction. Newly sober single mom Christy struggles to raise two children in a world full of temptations and pitfalls. Testing her sobriety is her formerly estranged mother, now back in Christy’s life and eager to share passive-aggressive insights into her daughter’s many mistakes.

A behind-the-scenes look at a fictional sketch-comedy TV show.

A working-class family struggles to get by on a limited income in the fictional town of Lanford, Illinois.

Thelma Harper and her spinster sister Fran open their home to Thelma’s recently divorced son Vinton and his teenage son and daughter. It’s quite an adjustment for everyone, especially the cranky, argumentative Thelma.

Not Available

When small-town kid, Mayo Davis, moved to Los Angeles, he knew helping his mom run a motel would be exciting. What he didn’t know was how lonely he would be. So when a mysterious girl drives by on a parade float and waves at Mayo, he embarks on an epic and surreal quest to find her, only to discover that he has to make a choice between making a friend and making a stand.

After discovering a bong capable of transporting them through space and time, two stoner cousins embark on an adventure that will bring them up close and personal with cavemen, the Salem witch trials and more.

Samantha Newly has been a bad, bad girl. But thanks to an 8-day coma, she can’t remember a thing. Fortunately her best friend Andrea is by her side with a cocktail and the 4-1-1 on every dirty deed. But the more Sam pieces together her past, the less she likes her old self. Maybe this is a chance to start over and do it all again.