George, a scientist living in Rotterdam is growing wary of the world of academia. The sudden death of an old friend is the incentive he needs to return to his African roots where he takes over a dilapidated field station in the jungle of Equatorial Guinea. There he meets an orphan boy with a sunny disposition who opens George’s wary eyes to this colorful place. The boy plays matchmaker between George and the lady who runs the local orphanage and all seems rosy until an old friend of George’s shows up out of nowhere to throw their lives into disarray as George discovers there are many obstacles on the road to redemption and a few more where the road runs out.
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Vele can’t afford to buy the expensive medications for his father who has cancer. Desperate, he steals marijuana from some criminals, makes a cake with it and gives it to his father, hoping it will reduce his pain. His father’s health miraculously improves, but Vele is suddenly confronted by neighbors who demand the recipe for the “remedial” cake and by the criminals who want their drugs back.
Fact-based war drama about an American battalion of over 500 men which gets trapped behind enemy lines in the Argonne Forest in October 1918 France during the closing weeks of World War I. Based on a true story, The Lost Battalion is set in 1918 during the final months of WWI. Assigned to capture an enemy stronghold in Charlvaux at the height of the Argonne campaign, the men of the AEF 308th Battalion, 77th Division, are led by young American major Charles Whittlesey, an inexperienced but dedicated “citizen soldier.” Totally cut off from the other allied troops, unaware of their vulnerability, and barraged by “friendly fire,” the 500-plus men of the 308th bravely hold their position, suffering incredible losses and unspeakable deprivations in the process — while the battalion’s superior officers, far from the firing line, callously prepare to write off the men as expendable casualties.
A yellow cab is driving through the vibrant and colourful streets of Tehran. Very diverse passengers enter the taxi, each candidly expressing their views while being interviewed by the driver who is no one else but the director Jafar Panahi himself. His camera placed on the dashboard of his mobile film studio captures the spirit of Iranian society through this comedic and dramatic drive…
Lila, a grief-stricken mother reeling from her son’s murder, attends a support group where she meets Eve, who urges her to take matters into her own hands to track down her son’s killers.
Kris is sentenced to two years in a rural Borstal.
This multiple-Oscar-winning film by Roman Polanski is an exquisite, richly layered adaptation of Thomas Hardy’s Tess of the d’Urbervilles. A strong-willed peasant girl (Nastassja Kinski, in a gorgeous breakthrough) is sent by her father to the estate of some local aristocrats to capitalize on a rumor that their families are from the same line. This fateful visit commences an epic narrative of sex, class, betrayal, and revenge, which Polanski unfolds with deliberation and finesse. With its earthy visual textures, achieved by two world-class cinematographers—Geoffrey Unsworth (Cabaret) and Ghislain Cloquet (Au hasard Balthazar)—Tess is a work of great pastoral beauty as well as vivid storytelling.
When a young doctor inherits her uncle’s practice in her small home-town of Love, Alaska, she returns there to find something things are the same; like the town’s annual Love festival, and some things have changed; like her childhood friend Finn who has grown into a handsome, if not troubled, man.
The film revolves around a mysterious girl named Éclair who appears before Fairy Tail, the world’s most notorious wizard’s guild. She lost all of her memories, except for the imperative that she must deliver two Phoenix Stones somewhere. The stones may spell the collapse of the magical world, and Natsu, Lucy, and the rest of the Fairy Tail guild are caught up in the intrigue.
Stephen is a professor at Oxford University who is caught in a rut and feels trapped by his life in both academia and marriage. One of his students, William, is engaged to the beautiful Anna, and Stephen becomes enamored of the younger woman. These three people become linked together by a horrible car crash, with flashbacks providing details into the lives of each person and their connection to the others in this brooding English drama.
A portrait of a homeless park community bonded by crack cocaine addiction. In the park’s drug-fixated shantytown, Cody is a kind of crackhead father figure who helps his friends when they are in trouble or in desperate need of a “blast.” His girlfriend, Alicia, is a romantic who’s losing her soul to the drug, and E-Max is a street hustling pimp who is trying to scoop young Linda into his motley legion of harlots. Hoover Blue, earth mother to all the addicts, attempts to pound some knowledge into the starry-eyed Linda while Cody tries to help young P-Air get his hustle on to record a hip hop track and make it big. But when Cody’s real son, Terry, tracks him down to tell him his wife has passed away, Cody doesn’t even recognize him at first and then can’t help him with postmortem affairs. After five years of crack addiction, Cody wants to get straight and do right by Terry, but the harder he struggles to escape the park, the more it closes in on him.
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