Christmas Island, Australia is home to one of the largest land migrations on earth—that of forty million crabs journeying from jungle to sea. But the jungle holds another secret: a high-security facility that indefinitely detains individuals seeking asylum.

A history of the ill-fated 1994 production of “The Fantastic Four” that was executive produced by Roger Corman.

Julian Assange. Bradley Manning. Collateral murder. Cablegate. WikiLeaks. These people and terms have exploded into public consciousness by fundamentally changing the way democratic societies deal with privacy, secrecy, and the right to information, perhaps for generations to come. We Steal Secrets: The Story of WikiLeaks is an extensive examination of all things related to WikiLeaks and the larger global debate over access to information.

When NATO troops withdrew from Afghanistan, the Afghan National Army (ANA) took over control of Helmand Province, an extremely dangerous region where attacks by Taliban fighters are the order of the day. Security, much less peace, would seem to be unattainable; it is even difficult to find a common language in a country where everyone mistrusts each other. The directors of this film accompanied an ANA company during a year of frontline duty in Helmand. The soldiers are paid irregularly, there are not enough supplies and their equipment is substandard. They cannot fight a war with the equipment left behind by the ISAF.

In Minnesota’s unforgiving North Country, hockey is life. Over the course of a season, two rival high school programs—one an emergent dynasty, the other steeped in a proud legacy—strive for a coveted state championship. With the hopes of their towns behind them, boys on both sides cope with the pressures of adolescence along with the added burden of bringing glory to one of the country’s most hockey-crazed communities.

Comedy stand-up special featuring the gifted comic, Dana Gould

In an invisible territory at the margins of society, at the border between anarchy and illegality, lives a wounded community that is trying to respond to a threat: of being forgotten by political institutions and having their rights as citizens trampled. Disarmed veterans, taciturn adolescents, drug addicts trying to escape addiction through love, ex-special forces soldiers still at war with the world, floundering young women and future mothers, and old people who have not lost their desire to live. Through this hidden pocket of humanity, the door opens to the abyss of today’s America.

In a new comedy special for 2019, Gabriel “Fluffy” Iglesias discusses his teenage son, encounters with Snoop Dogg and an overzealous fan, and more.

Longinotto’s documentary is about Brenda Myers-Powell, who fights against sexual exploitation and supports prostitutes in Chicago. Brenda knows what she is talking about: her own story, involving teenage prostitution and a life of violence and abuse, is in stark contrast to her dauntless energy and optimism.

This is the story of how superheroes from Tim Burton’s prototype blockbuster Batman, Blade, X-Men, Spiderman to Iron Man and the Black Panther brought to life from the pages of comic books, first took over Hollywood and then conquered the world through action films with larger-than-life characters.

An intimate and moving meditation on the late musician and artist Kurt Cobain, based on more than 25 hours of previously unheard audiotaped interviews conducted with Cobain by noted music journalist Michael Azerrad for his book “Come As You Are: The Story of Nirvana.” In the film, Kurt Cobain recounts his own life – from his childhood and adolescence to his days of musical discovery and later dealings with explosive fame – and offers often piercing insights into his life, music, and times. The conversations heard in the film have never before been made public and they reveal a highly personal portrait of an artist much discussed but not particularly well understood. Written by AJ Schnack

Jen Kirkman’s Netflix produced stand-up special as performed at the North Door in Austin, Texas