Christmas Island, Australia is home to one of the largest land migrations on earth—that of forty million crabs journeying from jungle to sea. But the jungle holds another secret: a high-security facility that indefinitely detains individuals seeking asylum.
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There are times, especially during a severe thunderstorm, when the power goes out temporarily. A minor inconvenience for most people, since they know that their power will be quickly restored. Even during major events like ice storms, where the power can be disrupted for days or even weeks, the lights will eventually come back on. If the power went out and didn’t return for a year or more, it’s a good bet that panic would set in once people realized something more ominous was happening, other than a temporary power outage. It sounds like a good scenario for a doomsday movie, but this event could actually occur.
The world is facing some huge problems. There’s a lot of talk about how to solve them. But talk doesn’t reduce pollution, or grow food, or heal the sick. That takes doing. This film is the story about a group of doers, the elegantly simple inventions they have made to change the lives of billions of people, and the unconventional billionaire spearheading the project.
After running into a neighbourhood acquaintance at the local used record store who shared his list of 15 reasons to live, Alan Zweig felt a strong compulsion to make a film on the subject, despite his admission, “I didn’t make lists and I never thought about reasons to live.” From this inspiration begins a series of episodic chapters adapted to the themes of Ray Robertson’s collection of essays. The participants are as eclectic as the list, sharing personal anecdotes related to (among other themes) work, love, intoxication, humour, solitude, duty, home and death. Humorous and sometimes heartbreaking, Zweig’s compassion for his subjects and their stories, expressed through his conversational and candid interview style, ties these vignettes together in a visual essay that strikes deeper chords about finding meaning in our existence. Amongst his subjects’ reasons to live Zweig finds a couple of his own in his touching, honest and endearing way.
Three extraordinary young people battle to change their lives through the three-month odyssey of the New York Daily News Golden Gloves – the biggest, oldest, most important amateur boxing tournament in the world.
A look at the roots of the historic music scene in L.A.’s Laurel Canyon featuring the music of iconic music groups such as The Byrds, The Beach Boys, Buffalo Springfield, and The Mamas and the Papas.
“A Film About Coffee” is a love letter to, and meditation on, specialty coffee. It examines what it takes, and what it means, for coffee to be defined as “specialty.” The film whisks audiences on a trip around the world, from farms in Honduras and Rwanda to coffee shops in Tokyo, Portland, Seattle, San Francisco and New York. Through the eyes and experiences of farmers and baristas, the film offers a unique overview of all the elements-the processes, preferences and preparations; traditions old and new-that come together to create the best cups. This is a film that bridges gaps both intellectual and geographical, evoking flavor and pleasure, and providing both as well.
Story of a Oregon Ufologist by the name Terry Linch who had a close encounter sighting of a large UFO craft in 2018. And now putting the story together of numerous sightings in the area. Connections with geology and geoglyphs found on top of a mountain.
The comedic stylings of four sort-of famous funnymen are brought to the big screen courtesy of this 2002 documentary.
The life of singer-songwriter and activist Harry Chapin, who spent his fame and fortune trying to end world hunger before his tragic passing.
A raw and emotionally revealing look at one of the most iconic artists of our time during a transformational period in her life as she learns to embrace her role not only as a songwriter and performer, but as a woman harnessing the full power of her voice.
The remarkable story of WWII infantryman and photographer Tony Vaccaro, who created one of the most comprehensive, haunting and intimate photographic records of the war using a smuggled $47 camera while developing the negatives in his helmet at night.
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