Can games change the world? With cities everywhere struggling to cope with the population growth that increased urbanisation brings, can video games be harnessed to help the residents, especially young people, take part in planning, and fixing their own cities? Today public spaces and entire cities are being designed, planned and played through the medium of games. The result of this ‘civic gamification’ is that city architecture and urban planning is being democratized. Cities have become the ground zero for digital innovation and the debate about how our cities evolve has suddenly gone viral. We follow three game companies navigating the space where urban planning and gaming meet. Lydia Winters at the game developer Mojang, the creators of Minecraft, Paradox Interactive and the game Cities: Skylines and José Sanches and his indie game Block’hood. How will our cities look in 20 – 100 years time?

Investigates the politics of cinematic shot design, and how this meta-level of filmmaking intersects with the twin epidemics of sexual abuse/assault and employment discrimination against women, with over 80 movie clips from 1896 – 2020.

Built upon a 14 hour interview, McKellen: Playing the Part is a unique journey through the key landmarks of McKellen’s life, from early childhood into a demanding career that placed him in the public eye for the best part of his lifetime. Using an abundance of photography from McKellen’s private albums and cinematically reconstructed scenes, a raw talent shines through in the intensity, variety and devotion to that moment in the light.

In 1976 a book was published titled “The Creature” that swept over Bigfoot enthusiasts and researchers all over the state of Pennsylvania. Since then, it has been the most quoted work on the subject of Bigfoot. But, who was the author and was there any truth in the story? The mystery behind the author and the fascinating story known as “The Creature” has never been solved. Was it an elaborate hoax or could the remains of a Bigfoot be buried in the foothills of Pennsylvania.

Documentary examining what happens to some of the biggest names in the history of the adult entertainment industry after they leave the business and try and live “normal” lives.

The ‘Casa do Povo’ cultural centre in São Paulo, an icon of the secular Jewish workers’ movement: a crumbling theatre flanked by staircases, entryways and corridors. Construction noise drones away in the background, clinking crockery, a broom sweeping over tiled floors, an expressive façade of countless adjustable panes of glass covered by a patina. It’s October 2016 and a group of young people are preparing a preview of Bickels [Socialism]. The venue is to form a prologue to the completed film, which tours 22 buildings in Israel designed by Samuel Bickels, most of which for kibbutzim. Dining halls, children’s houses, agricultural buildings, bright structures inserted into the Mediterranean landscape with great ingenuity. An architecture with a sell-by date: That many are now empty or have been repurposed at best is linked to the decline of the socialist ideals they embody.

A documentary film about session and touring musicians that are hired by well establish and famous bands and artists. These people may not be household names, but are still top notch performers!

No topic is safe in this unfiltered stand-up set from Andrew Santino as he skewers everything from global warming to sex injuries to politics.

The story of Freda Kelly, a shy Liverpudlian teenager asked to work for a young local band hoping to make it big: The Beatles. Their loyal secretary from beginning to end, Freda tells her tales for the first time in 50 years.

Go With Your Gut is documentary on the theme of how you should always follow your heart. It tells the stories of 7 Chinese independent domestic brand founders. The main characters are Mao …

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Continually smiling or laughing, this man, a self-acknowledged Nazi, proudly reveals that he went to the Congo to save Western civilization from Bolshevism — to complete the work of the Nazis. Dressed in his military jungle uniform (with his Second World War decorations) he waxes eloquent about the “colors” of South Africa, “explains” apartheid, and freely discusses his “adventures”. Shots of corpses, tortures, and executions of Blacks are intercut. It is not often that one can see and hear a real, “live” Nazi in action, talking (more or less) freely because he presumed him-self to be among friends instead of with two of the most cleverpolitical propagandists of our time, working for the other side.