The BBC documentary takes a look into the Pixar studios as they celebrate their 25th birthday and at the creative process involved in creating the animation classics that we love.

An eye-opening investigation into the making of Hollywood sex scenes, shedding light on the real-life experiences behind classic scenes of cinema and tracing the legacy of exploitation of women in the entertainment industry.

Creative and competitive, members of the Evil Geniuses Starcraft 2 team must prove themselves to make the cut in professional video gaming. Good Game follows the team as they discover that one wrong move could end their dreams.

Eleven year old Masha Kulabokhova is about to be adopted into fourteen year old Cami Diaz’s family. Masha grew up in a Russian orphanage; Cami was born and raised in Wisconsin and has been the exclusive focus of her parents’ love her whole life. The process of Masha becoming part of the Diaz family is going to change both girls forever. The Dark Matter of Love follows Masha as she leaves Russia to the spend her first year as part of the Diaz family, who have also adopted five year old twin boys Marcel and Vadim. When the reality of bonding with children who have grown up in institutions turns out to be more difficult than they ever imagined, the Diaz’s hire two of the world’s best developmental psychologists to help them build their new family – through science. Sometimes hilarious, sometimes heartbreaking, The Dark Matter of Love melds the story of the Diaz family learning to love, with rare archive footage of science experiments exploring parent-child love.

Six strangers meet in Hong Kong for a three week no-budget film shoot, full of enthusiasm for the project. But as time wears on cracks begin to show as tight schedules, cramped conditions, location problems, personality clashes and the stress of shooting on the fly combine to put strain on the entire cast and crew. And it doesn’t help that nobody’s getting paid. As time passes they struggle to remember why they signed up in the first place, leading to reflections on the value of being a ‘starving artist’ and the limits of artistic integrity – and explosive confrontations that jeopardize the whole project.

On the dating tour to Odessa, Ukraine, Ten North American and European men have 10 days to find a partner for the rest of their lives. How: Social gatherings introduce the men to hundreds of skimpy dressed young and beautiful Ukrainian girls, not to mention a bikini contest. Now, the men have to choose the women to go on dates with, overcome the language barrier, cultural differences, age gap and filter out the scammers. Four couples are formed but can they go the distance? Come on this personal journey and discover that not all men are losers, not all women are scammers and the romantic Odessa is dangerously seductive. After the intoxication of the tour is over only one couple will stay together, but it is not the one you would have guessed.

With the rapid emergence of digital devices, an unstoppable, invisible force is changing human lives in ways from the microscopic to the gargantuan: Big Data, a word that was barely used a few years ago but now governs the day for many of us from the moment we awaken to the extinguishing of the final late-evening light bulb. This massive gathering and analyzing of data in real time is allowing us to not only address some of humanity biggest challenges but is also helping create a new kind of planetary nervous system. Yet as Edward Snowden and the release of the Prism documents have shown, the accessibility of all these data comes at a steep price. The Human Face of Big Data captures the promise and peril of this extraordinary knowledge revolution.

As Rio de Janeiro took to the world stage with preparations for the 2014 FIFA World Cup and 2016 Summer Olympics, a community of self-described “urban Indians” organized to fight back against their forced evictions, joining forces with other marginalized groups. A familiar narrative has emerged as these roaming corporate sporting events descend upon metropolises, causing major disruption and corruption to local democracies while displacing the most vulnerable. The resistance continues to grow from country to country, diminishing the power of these conglomerates with activism, independent media coverage and the determination of locals to hold their ground. Spending six years following their plight, Jason O’Hara embedded himself within these communities, steadfastly committed to highlighting the injustices that abound. Now that the spotlight moves on to Russia and Japan for these events, it’s increasingly necessary to witness the battles fought so they don’t end in vain

Portrayal of the late Bradford playwright Andrea Dunbar. Andrea Dunbar wrote honestly and unflinchingly about her upbringing on the notorious Buttershaw Estate in Bradford and was described as ‘a genius straight from the slums.’ When she died tragically at the age of 29 in 1990, Lorraine was just ten years old. The Arbor revisits the Buttershaw Estate where Dunbar grew up, thirty years on from her original play, telling the powerful true story of the playwright and her daughter Lorraine. Also aged 29, Lorraine had become ostracised from her mother’s family and was in prison undergoing rehab. Re-introduced to her mother’s plays and letters, the film follows Lorraine’s personal journey as she reflects on her own life and begins to understand the struggles her mother faced.

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Science fiction has long anticipated the rise of machine intelligence, and today a new generation of self-learning computers has begun to reshape every aspect of our lives. Will A.I. usher in an age of unprecedented potential, or prove to be our final invention?

Adam Carolla and Dennis Prager examine the reality of life and discourse on college campuses in modern America.