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The Price of Sex is a documentary about young Eastern European women who’ve been drawn into a netherworld of sex trafficking and abuse. Intimate, harrowing and revealing, it is a story told by the young women who were supposed to be silenced by shame, fear and violence. Photojournalist Mimi Chakarova, who grew up in Bulgaria, takes us on a personal investigative journey, exposing the shadowy world of sex trafficking from Eastern Europe to the Middle East and Western Europe. Filming undercover and gaining extraordinary access, Chakarova illuminates how even though some women escape to tell their stories, sex trafficking thrives.
In the streets of Baton Rouge, there are only two sides of the track. In the midst of a street war of South vs. North, Marcus Hatch (Lil’ Boosie) and Jai ‘Savage’ Carter (Webbie) find themselves as rival drug dealers struggling to make ends meet. With the streets at war, someone must suffer the consequences. This movie centers on the personal challenges, setbacks, and dilemmas of street life. Keep an eye peeled for Nicole (Hoopz) Alexander, who plays Slimm’s (Tyrin Turner better know as Cain from Menace II Society) love interest and medical student, rap stars Bun B and Paul Wall also appear in supporting roles, as well as cameos by Trill Entertainment’s own Foxx, Lil’ Phat, Lil’ Trill, and Big Head.
A cynical and clever coming of age film about first time novelist Fenton Dillane, who, unannounced returns to New York City to confront his family, his ex- girlfriend and a few lingering childhood fears.
Gabrielle is a young woman with Williams syndrome who has a contagious joie de vivre and an exceptional musical gift. Since she met her boyfriend Martin, at the recreation centre where they are choir members, they have been inseparable. However, because they are “different,” their loved ones are fearful of their relationship. As the choir prepare for an important music festival, Gabrielle does everything she can to gain her independence. As determined as she is, Gabrielle must still confront other people’s prejudices as well as her own limitations in the hope of experiencing a love far from the “ordinary”.
1999, Serbia is bombed and Kosovo region is left for plunder by bandits under command of Albanian warlord, Smuk. The removal of the human organs take place within the territories bandits have taken, the robberies, mass assassinations and genocide. Russian intelligence officer Bek Ethoev and former paratrooper turned mercenary Andrey Shatalov head a small detachment tasked with the dangerous mission to stop the terrorism, recapture the airfield used by the bandits and rescue Shatalov’s love interest Yasna, who was captured to be harvested for organs, like the rest of the Serbian prisoners.
A devastated husband vows to bring justice to the people responsible for his wife’s death while protecting the only family he has left, his daughter.
An advocate of sex, but not of marriage, bachelor Daegyu (played by singer-turned-actor Im Changjeon), 26, produces bootleg music albums for a living. One day, he comes across a plucky, nine-year-old boy named Jeon Ingwon (played by Lee Inseong) who insists that he is Daegyu’s son born out of wedlock. Daegyu tries every possible means to send the bold boy back to where he came from, including reporting him to the police, deserting him on the street and even pretending not to have known him, but to no avail. Ingwon makes an offer to Daegyu: he will leave him forever if they first travel across the country together. During the journey, Daegyu comes to learn Ingwon’s secret and finds a reason not to continue their cross-land journey.
Attempting to recover from a recent family trauma by escaping into the woods for a peaceful hiking trip, an ex-lawman and his young son stumble across a dangerous contract killer.
BELLE is inspired by the true story of Dido Elizabeth Belle, the illegitimate mixed race daughter of a Royal Navy Admiral. Raised by her aristocratic great-uncle Lord Mansfield and his wife, Belle’s lineage affords her certain privileges, yet the color of her skin prevents her from fully participating in the traditions of her social standing. Left to wonder if she will ever find love, Belle falls for an idealistic young vicar’s son bent on change who, with her help, shapes Lord Mansfield’s role as Lord Chief Justice to end slavery in England
A big new home, a lovely wife and a new job seem to steer Henrik firmly towards the middle age and a bourgeois lifestyle. There is, however, a substantial amount of boyish prankster still in him – sometimes a little bit too much. Director Martin Lund’s understated, offbeat humour often evokes Bent Hamer’s delightful studies of lone males (O’Horten, Kitchen Stories)
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