A hardened vampire hunter and a journalist travel to a village in Transylvania to investigate a mysterious event that happened in Zalesky Castle. The duo are guided by a young Romanian girl and joined by a Korean television reality show team as they attempt to untangle the community’s secrets.
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After getting hit by a car, Kaylene needs home care. The nurse she hires becomes more and more interfering.
Grieving over the loss of her son, a mother struggles with her feelings for her daughter and her husband. She seeks out a ritual that allows her say goodbye to her dead child, opening the veil between the world of the dead and the living. Her daughter becomes the focus of terror. She must now protect against the evil that was once her beloved son.
After serving time for murder, Josh Hutton returns to his home town where he meets Audry Hugo. No one can remember exactly what Josh did…
The Guerrasio family and friends gather to celebrate Claudio and Carmela’s oldest daughter’s 18th birthday. There is a healthy rivalry between the birthday girl and her 15-year-old sister Chiara as they compete on the dancefloor. It is a happy occasion, and the close-knit family are on top form. However, everything changes the next day when the father disappears. Chiara, unconvinced by the cover story, starts to investigate. As she gets closer to the truth, she is forced to decide what kind of future she wants for herself.
Norwegian folklore turns out to be real when Leo and Elvis encounter a girl called Thale in a basement. A regular cleaning job turns into a struggle for survival, while they’re trying to figure out what or who Thale is. Could Thale be a huldra? A seductive forest spirit who appears from the front to be a beautiful young woman, but who also has a cow’s tale and whose back appears to be like a hollowed out tree. The huldra has been known to offer rewards to those who satisfy them sexually, while death to those who fail to do so and are also prone to stealing human babies.
Four boyhood friends return to New Orleans’ Lower Ninth Ward after Hurricane Katrina, to find their home decimated and prospects for work swept away. Turning to a local gangster for employment, the crew is hired to pull off a daring casino heist, right in the heart of the city.
Suffering from writer’s block and some curious ailments, Reiko (Nakatani Miki) moves to a countryside villa at her editor’s (Nishijima Hidetoshi) beckoning to quietly work on her next novel. Her new environment turns out to be anything but peaceful though when she sights her next door neighbor, professor Minoru Yoshioka (Toyokawa Etsushi), surreptitiously moving a thousand-year-old mummified corpse into his university lab for research. Though Reiko and Yoshioka get off to a bumpy start, the two grow closer over time, enough so that Reiko eventually agrees to hide the mummy in her home. But the mummy isn’t the only unlikely guest in her walls, as a female ghost also lurks disturbingly in the background. At first seemingly a quick trick of the eye, she grows clearer and more distinct by the day.
Mother Nature gets revenge on some careless campers in this remastered version of the Australian horror classic.
William Thacker is a London bookstore owner whose humdrum existence is thrown into romantic turmoil when famous American actress Anna Scott appears in his shop. A chance encounter over spilled orange juice leads to a kiss that blossoms into a full-blown affair. As the average bloke and glamorous movie star draw closer and closer together, they struggle to reconcile their radically different lifestyles in the name of love.
Wild Is the Wind represents a (perhaps deliberate) reversal of the situation in The Rose Tattoo (1955). Whereas in Tattoo, Anna Magnani played a widow who could never find a man to measure up to her late husband, in Wind her character, Giola, marries widowed rancher Gino (Anthony Quinn), who is haunted by the memory of his first spouse. The situation is dicier in Wind, since Italian immigrant Gino’s deceased wife was Giola’s sister. Eventually tiring of her husband’s mood swings, Giola turns to his son, Bene (Anthony Franciosa), for emotional and sexual gratification. A Hollywood approximation of the Italian neorealist school of filmmaking, Wild Is the Wind was based on Furia, a story by Vittorio Nino Novarese. ~ Hal Erickson, Rovi
After his father passes away at age 10, the lives of Luis Palau and his family are changed forever. Within a few years of his father’s death, Luis, his siblings, and his mother are left nearly destitute. Luis is forced to discontinue his education at an elite boarding school in Argentina and provide for his family as they slip into poverty.
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