THE MAN WHO WAS THURSDAY is inspired by the existentialist novel of the same name by G.K. Chesterton (1908). The novel is considered a metaphysical thriller, and our film could be considered the same, though it also can be thought of in more classical cinematic terms a psychological and supernatural thriller.

After his father’s death, Malcolm inherits a bank vault that couldn’t be opened for 70 years.

Amber Vickers is ecstatic that she will finally be making the walk down the aisle with her prince charming Luke. After multiple failed relationships, she was beginning to think that something was wrong; but her soon-to-be mother-in-law and best friend, Jill, believes that Amber is the picture-perfect daughter she never had. Everything is coming up roses until Sharon Vickers, Amber’s mother, arrives for a visit. Gaudy, straight-laced and opinionated, Sharon is the complete opposite of Jill. What was supposed to be a benign first meeting of the in-law’s quickly turns into a competition, as Sharon and Jill have widely differing views on life, love and marriage. As the weekend visit is coming to an end, Sharon takes matters into her own hands, rendering Jill incapable of escaping her house, and proving to her once and for all that no one comes between Sharon and her daughter.

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Milton, a college dropout, was only supposed to cook meth for one day. Broken out of rehab by a brash young woman and her trigger-happy (“ex”) boyfriend and driven to a remote cabin the woods, Milton finds himself drawn into a dangerous love triangle gone haywire. The couple’s deadpan half-truths spin around Milton like a song on repeat. They seem to read him like an open book, until a mysterious message opens his eyes to his cursed existence. With unlimited ammunition, any hunting tool they could desire, and an ever-growing body count, for what did Milton really sign up?

When her husband is hospitalized after a car accident, EMT Karen decides to rent out their spare rooms online. All goes well until Miranda moves in. Miranda quickly infiltrates all areas of Karen’s life. When one of Karen’s renters is found murdered, Karen becomes convinced Miranda was involved but has no idea that kicking her psychotic guest out will send Miranda into a murderous rage.

When estranged brothers Adam and Clint attempt to reconnect over a week-long hunting trip in remote British Columbia, they find the tables turned by a mysterious presence lurking in the forest. Convinced that they are now besieged by a supernatural presence, the siblings begrudgingly agree on only one thing: they will have to put aside their differences and work together if they plan on making it out these dark woods alive.

A mysterious and vengeful spirit marks and pursues anybody who dares enter the house in which it resides.

A warlock flees from the 17th to the 20th century, with a witch-hunter in hot pursuit. A Warlock is taken captive in Boston, Massachusetts in 1691 by a witch-hunter Giles Redferne. He is sentenced to death for his activities, including the bewitching of Redferne’s bride-to-be, but before the execution a demon appears and propels the Warlock forward in time to 20th century Los Angeles, California.

People mysteriously start receiving voicemail messages from their future selves, in the form of the sound of them reacting to their own violent deaths, along with the exact date and time of their future death, listed on the message log. The plot thickens as the surviving characters persue the answers to this mystery which could save their live

Nick, a talented photographer who is new to Los Angeles falls quickly in love with Tessa, a free-spirited young woman who is no longer charmed by the city. Their worlds are turned upside down when she asks him to do the unimaginable, which leads to him uncovering a dark truth, forcing them down a path of revenge and destruction.

After breaking up with her boyfriend Daniel, Anna just wants to hole up somewhere and recover. But she should have had a closer look at the fineprint of her rental contract –
for the old Viennese appartment it is a creature with never ending appetite, living off the youth of its residents. There is no escaping it anymore when Anna faces herself in the mirror as an old lady.
Unless she deliveres a new victim…