How do you put a life into 500 words? Ask the staff obituary writers at the New York Times. OBIT is a first-ever glimpse into the daily rituals, joys and existential angst of the Times obit writers, as they chronicle life after death on the front lines of history.

One man’s journey to discover the bitter truth about sugar. Damon Gameau embarks on a unique experiment to document the effects of a high sugar diet on a healthy body, consuming only foods that are commonly perceived as ‘healthy’. Through this entertaining and informative journey, Damon highlights some of the issues that plague the sugar industry, and where sugar lurks on supermarket shelves.

A feature length, theatrical documentary on the life of Paul Gascoigne, one of the greatest footballers that ever lived: delving deep into his psyche, vulnerabilities, fears and triumphs.

If you happen to be transgender and you want to go swimming, which changing room do you go into? In this short documentary we meet a group of trans activists who have taken matters into their own hands and set up a safe space swimming club. It is a film about the healing effects of community and the relief that comes after taking the bravest plunge of all – to just be yourself. It is also an ode to universal joys of swimming.

The documentary story of Madonna’s struggling days in New York with her first band “Breakfast Club,” leading up to her first solo record deal.

The Edhi children’s shelter is a rare safe haven for Karachi’s runaways. Over three years, its cranky founder, a spirited child, and a gold-hearted ambulance driver are filmed, creating a tender portrait of where a city’s most vulnerable and dedicated souls meet.

A depiction of the last living generation of German participants in Adolf Hitler’s Third Reich.

Montreal actor/comedian Mike Paterson’s health is no joke. The normally high-energy comic is desperate to overcome his debilitating sciatica back pain that conventional medicine hasn’t been able to remedy. Mike obtains a legal medical marijuana prescription for his chronic pain and embarks upon an unconventional marijuana and hemp-infused diet that he supplements with exercise, vegetarian eating, no booze and sheer determination – all in an attempt to turn his health around and lose 50 lbs. in the four months before his destination wedding in Mexico. As part of his adventure, Mike hits the road to pot meccas California and Colorado to immerse himself in their blossoming ‘edibles’ scenes and learn from local chefs, dispensary owners, advocates and fellow patients how cannabis edibles work. Medicine never tasted so good. *** TAKEN FROM ITUNES PAGE (https://itunes.apple.com/ca/tv-season/grass-fed/id1060185232)

A documentary which chronicles a ninety-year-old love story, through the collective voice of seventy ladies.

Gabriel Iglesias entertains a packed house at El Paso’s Theatre in this Comedy Central special. For I’m Not Fat, I’m Fluffy, the comedian reaches new heights of hilarity, providing eerily perfect imitations and tales too tall not to be true. He also adds a new step to his five levels of fatness, and the sixth level is sure to leave audiences rolling in the aisles.

For over half a century, 60 Minutes’ fearsome newsman Mike Wallace went head-to-head with the world’s most influential figures. Relying exclusively on archival footage, the film interrogates the interrogator, tracking Wallace’s storied career and troubled personal life while unpacking how broadcast journalism evolved to today’s precarious tipping point.

Portrayal of the late Bradford playwright Andrea Dunbar. Andrea Dunbar wrote honestly and unflinchingly about her upbringing on the notorious Buttershaw Estate in Bradford and was described as ‘a genius straight from the slums.’ When she died tragically at the age of 29 in 1990, Lorraine was just ten years old. The Arbor revisits the Buttershaw Estate where Dunbar grew up, thirty years on from her original play, telling the powerful true story of the playwright and her daughter Lorraine. Also aged 29, Lorraine had become ostracised from her mother’s family and was in prison undergoing rehab. Re-introduced to her mother’s plays and letters, the film follows Lorraine’s personal journey as she reflects on her own life and begins to understand the struggles her mother faced.