Second movie sequel of Wake Up, Girls!, directly follows The Shadow of Youth.

John, a 35-year-old window cleaner, has dedicated his life to bringing up his 4-year-old son, Michael, after the child’s mother left them soon after giving birth. When John is given only a few months left to live, he attempts to find a new, perfect family for Michael, determined to shield him from the terrible reality of the situation.

An intersectional narrative of two families in Brooklyn and the unraveling of unspoken unhappiness that occurs when a young foreign girl spending time abroad upsets the balance on both sides.

In 1969, a young Beijing student, Chen Zhen, is sent to live among the nomadic herdsmen of Inner Mongolia. Caught between the advance of civilization from the south and the nomads’ traditional enemies – the marauding wolves – to the north; humans and animals, residents and invaders alike, struggle to find their true place in the world

Country singer Charlotte is home for the holidays and brother Ryan’s fellow ex-soldier Matt is in town. Writing her new album, Charlotte works with Matt to build a house for a friend in town.

Jennifer Carpenter, Kristen Connolly and Alexander Poe star in a comedy about three New Yorkers struggling to uncover the truth behind their romantic entanglements. Disheartened by his latest relationship catastrophe, Graham (Poe) attempts to rekindle the spark with his ex-girlfriend, Laura (Connolly). In the attempt to win her back Graham discovers he has a unique problem: Laura and another one his ex-girlfriends (Carpenter) are dating the same guy.

Diagnosed with ovarian cancer, iron-willed journalist Sheng Nan (“Surpass Men” in Chinese) is pressured to make a quick fortune and find mind-blowing sex before the costly surgery numbs her senses. Taking on a businessman’s biography writing job, she hikes into the misty mountains, where a chain of outbursts with her dysfunctional family, grumpy client, misogynistic co-worker and dreamlike romantic interest hilariously unfold. As deeply moving as it is luminously witty, writer-director Teng Congcong’s debut waltzes across the bitterness swallowed by her generation of women born under China’s One Child Policy, unprecedentedly burdened to “surpass men” while trying not to be “leftover women” at the same time. Saluting the 18th-century Chinese literature classic Dream of the Red Chamber in its title, the enchanting gem refreshes the novel’s transcendent contemplation on desire, death and womanhood from a modern cinematic perspective.

1902….the Australian Federation is a year old. Twelve year-old Tom’s father, Nat, has dragged him and his sister, Sarah, to an isolated farm at the edge of the woods. But Nat’s dream of living off the land has died and he is losing his grip on sanity. When three ex-soldiers arrive at their cabin one night Tom, like his father, believes they are providence.

A desperate writer fights for survival when the Mexican mob involves him in murder.

A young newspaper writer returns to her hometown in the English countryside, where her childhood home is being prepped for sale.

Troubled teen Will Hawkins has a run-in with the law that puts him at an important crossroad: go to juvenile detention or attend a Christian summer camp. At first a fish-out-of-water, Will opens his heart, discovers love with a camp regular, and sense of belonging in the last place he expected to find it.

Spike Lee’s take on the “Son of Sam” murders in New York City during the summer of 1977 centering on the residents of an Italian-American South Bronx neighborhood who live in fear and distrust of one another.