In the early 20th century, some convicts while on a road gang escape and one of the convicts is Zach Provo, a half Indian, who was sent to prison during the latter part of the 19th century. He escapes with 6 others to exact vengeance on Sam Burgade the lawman who not only captured him but was also responsible for the death of Provo’s wife, at least in Provo’s mind. Part of his plan is to kidnap Burgade’s daughter, which prompts him to strap on his guns and go after him on horseback. Can Burgade who has been retired for sometime still have what it takes to track Provo down?
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A widowed farmer and his son warily take in a mysterious, injured man with a satchel of cash. When a posse of men claiming to be the law come for the money, the farmer must decide who to trust. Defending a siege of his homestead, the farmer reveals a talent for gun-slinging that surprises everyone calling his true identity into question.
After the Civil War, ex-Union Colonel John Henry Thomas and ex-Confederate Colonel James Langdon are leading two disparate groups of people through strife-torn Mexico. John Henry and company are bringing horses to the unpopular Mexican government for $35 a head while Langdon is leading a contingent of displaced southerners, who are looking for a new life in Mexico after losing their property to carpetbaggers. The two men are eventually forced to mend their differences in order to fight off both bandits and revolutionaries, as they try to lead their friends and kin to safety.
An ex-con returns to his rural Ontario roots and outwits a corrupt and wealthy thoroughbred owner trying to take over a slew of local farms. Ray Dokes, a charming ex-ballplayer, returns from jail to discover the rural landscape of his childhood transformed by urban development. Determined to stay out of trouble, Ray heads to the farm of his old friend Pete Culpepper, a crusty Texas cowboy who trains losing racehorses and whose debts are growing faster than his corn.
Django is a 1966 Italian spaghetti Western film directed by Sergio Corbucci and starring Franco Nero in the eponymous role. The film earned a reputation as being one of the most violent films ever made up to that point and was subsequently refused a certificate in Britain until 1993, when it was eventually issued an 18 certificate. Subsequent to this the film was downgraded to a 15 certificate in 2004. Although the name is referenced in over thirty “sequels” from the time of the film’s release until the mid 1980s in an effort to capitalize on the success of the original, none of these films were official, featuring neither Corbucci nor Nero. Nero did reprise his role as Django in 1987’s Django 2: Il Grande Ritorno (Django Strikes Again), in the only official sequel to be written by Corbucci.
This film adaptation of Irving Berlin’s classic musical stars Betty Hutton as gunslinger Annie Oakley, who romances fellow sharpshooter Frank Butler (Howard Keel) as they travel with Buffalo Bill’s Wild West Show. Previously off target when it comes to love, Annie proves you can get a man with a gun in this battle-of-the-sexes extravaganza, which features timeless numbers like “Anything You Can Do” and “There’s No Business Like Show Business.”
Marty – A Wild West Neverland is an adventure-fantasy set in a world inhabited by only kids. Marty and Dee cross paths with the ruthless One-Eyed Johnny and the Krimson Kids where they experience the harsh realities of tyranny and violence in the West.
Texas Ranger Samantha Payne reopens a 15-year-old missing person case, and uncovers evidence that suggests that the boy was likely murdered on a ranch belonging to wealthy family man, Scott Briggs. When Scott’s estranged son unexpectedly returns home during the investigation, Samantha becomes even more convinced that the Briggs family was involved, and will stop at nothing to discover the truth about the boy’s death – even putting her own life in jeopardy.
Set in early 19th century Romania, a policeman, Costandin, is hired by a nobleman to find a Gypsy slave who has run away from his estate after having an affair with his wife.
Jake Remy leads a gang of outlaw cutthroats making their escape toward Mexico from a successful robbery. Barring their way is a river–crossable only by means of a ferry barge. The barge operator, Travis, refuses to be bullied into providing transport for the gang and escapes across river with most of the local populace–leaving Remy and his gang behind, desperately seeking a way across. A river-wide stand-off begins between the gang and the townspeople, both groups of which have left people on the wrong side of the river.
The Gunfight at the OK Corral only happened once, but has been tirelessly recreated in films, television shows and western towns ever since. No one has a monopoly on truth, and in Tombstone Rashomon, the truth is shared by six conflicting, yet historical perspectives. In doing so, the film’s narrative becomes prismatic and the result is perhaps the most comprehensive telling of the most important gunfight in American history. This is the Tombstone story told in the style of the Japanese classic Rashomon where we see history from several perspectives including that of Wyatt Earp, Doc Holliday, Kate, Ike Clanton, Colonel Hafford and Johnny Behan.
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