An exploration of the heavy metal scene in Los Angeles, with particular emphasis on glam metal. It features concert footage and interviews of legendary heavy metal and hard rock bands and artists such as Aerosmith, Alice Cooper, Kiss, Megadeth, Motörhead, Ozzy Osbourne and W.A.S.P..
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Set in 1974, an authentic and uplifting tale of two friends whose horizons are opened up by the discovery of black American soul music.
Louis Theroux travels to California to meet the man dubbed “the most dangerous racist in America”; Tom Metzger. Louis meets him, his family and his publicity manager as well as following him to skinhead rallies and on a visit to Mexico.
Through a combination of hand-held and hidden camera footage, Lucent explores the darker side of Australia’s pig farming industry, highlighting the day-to-day cruelty accepted by the industry as standard practice.
James Cameron and Simcha Jacobovici go on an adventure to find the lost city of Atlantis by using Greek philosopher Plato as a virtual treasure map.
Stan and Ollie try to deliver the deed to a valuable gold mine to the daughter of a dead prospector. Unfortunately, the daughter’s evil guardian is determined to have the gold mine for himself and his saloon-singer wife.
A former Secret Service agent grudgingly takes an assignment to protect a pop idol who’s threatened by a crazed fan. At first, the safety-obsessed bodyguard and the self-indulgent diva totally clash. But before long, all that tension sparks fireworks of another sort, and the love-averse tough guy is torn between duty and romance.
A chronicle of the iconoclastic life of gay poet, filmmaker, and spiritual visionary James Broughton, one of the defining voices of the sexual revolution, whose groundbreaking artistic celebrations of sexuality and the body influenced generations of the 1960’s and 70’s to profoundly embrace life and ‘follow your own weird’.
A real-time portrait of 2020 unfolds as an Asian-American family in Trump’s rural America fights to keep their restaurant and American dream alive in the face of a pandemic, Neo-Nazis, and generational scars from the Cambodian Killing Fields.
Investigates the politics of cinematic shot design, and how this meta-level of filmmaking intersects with the twin epidemics of sexual abuse/assault and employment discrimination against women, with over 80 movie clips from 1896 – 2020.
Molly (Martha O’Driscoll), her brother, Slats (Abbott), and his pal, Oliver (Costello), are taxi dancers at the Miramar Ballroom. As a publicity stunt, Slats plants an article about Molly claiming her ambition is to earn enough money to attend staid, all-girl Bixby College. Bixby’s progressive dean offers Molly a scholarship. Molly accepts on the condition that Slats and Oliver come along too as campus caretakers. But the pompous Chairman threatens to foreclose on the school’s mortgage if Molly isn’t expelled. Together, the trio, with the help of some new friends, concocts a scheme to raise enough money to save the school. The plan involves a bet on the Bixby basketball team, which is playing in a game rated at 20 to 1 by the local bookie. But the bookie has other plans for their dough and hires a group of ringers to step in for the opponents. All is not lost, at least while Oliver has the chance to turn things around for his friends-one way or another.
It was an unprecedented occurrence in world history. Nowhere and never in well-governed democratic states, had the public broadcaster been silenced in such a manner that was characterized as “autocratic” and “undemocratic”. Within five hours, on the evening of June 11, 2013, the Greek Prime Minister Antonis Samaras turned off the switches of ERT, Greece’s public broadcaster, after 75 years of continuous operation. Both TV and radio frequencies fell silent, making screens broadcast black and the FM to buzz. The closure of ERT was an unheard-of political act that shocked Greek citizens bringing back memories from the dark period of the dictatorship. It also caused a fierce international outrage from all around the world. Why did the public broadcaster have to die?
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