A pretty psychiatrist is saved from an accident by a man who, after hitting his head on a rock, believes he is Santa Claus. As she nurses him back to health at her institute, he brings the spirit of Christmas to the hospital.

The Los Angeles punk music scene circa 1980 is the focus of this film. With Alice Bag Band, Black Flag, Catholic Discipline, Circle Jerks, Fear, Germs, and X.

The Decline of Western Civilization III is a 1998 documentary film directed by Penelope Spheeris that chronicles the gutter punk lifestyle of homeless teenagers. It is the third film of a trilogy by Spheeris depicting life in Los Angeles at various points in time. The first film dealt with the punk rock scene during 1980-1981. The second film covers the Los Angeles heavy metal movement of 1986-1988. The film involves hardcore street punks called “gutter punks” who take the anti-establishment message with extreme seriousness, and tune out society completely. Spheeris talks to homeless teenagers living on the street or squatting in abandoned buildings in Los Angeles, as well as an unstable mother, Los Angeles Police Department officer Gary Fredo, and a paralyzed youth living on a disability.

An exploration of the heavy metal scene in Los Angeles, with particular emphasis on glam metal. It features concert footage and interviews of legendary heavy metal and hard rock bands and artists such as Aerosmith, Alice Cooper, Kiss, Megadeth, Motörhead, Ozzy Osbourne and W.A.S.P..

Two punks from the big city, traveling across the country in a Volkswagen bug, embrace the western ethos when they must take revenge against a group of rednecks for killing their friend in this lighthearted road movie. Along the way, they enlist the help of a young woman who runs a wrecking service.

When dignified Albert Donnelly runs for Governor, his team moves to keep his slow-witted and klutzy younger brother, Mike, out of the eye of the media. To baby-sit Mike, the campaign assigns sarcastic Steve, who gets the experience of a lifetime when he tries to take Mike out of town during the election.

When a sleazy TV exec offers Wayne and Garth a fat contract to tape their late-night public access show at his network, they can’t believe their good fortune. But they soon discover the road from basement to big-time is a gnarly one, fraught with danger, temptation and ragin’ party opportunities.

Spanky, Alfalfa, Buckwheat, and the other characters made famous in the Our Gang shorts of the 1920s and 1930s are brought back to life in this nostalgic children’s comedy. When Alfalfa starts to question his devotion to the club’s principles after falling for the beautiful nine-year old Darla, the rest of the gang sets out to keep them apart.

When household tensions and a sense of worthlessness overcome Evan, he finds escape when he clings with the orphans of a throw-away society. The runaways hold on to each other like a family until a tragedy tears them apart.

A student gets his senses enhanced by an experimental drug. But abuse is not an option.

Jed Clampett and kin move from Arkansas to Beverly Hills when he becomes a billionaire, after an oil strike. The country folk are very naive with regard to life in the big city, so when Jed starts a search for a new wife there are inevitably plenty of takers and con artists ready to make a fast buck

Roy and Bo leave their small town the weekend after graduation for a short road trip to LA. Soon, they find themselves lashing out and leaving a trial of bodies behind them. The violence escalates throughout.

Brian Cruver, an ambitious 26-year-old lands a job at Enron. As he assimilates to the company’s get-rich-quick mantra, spending sprees and wild corporate “gatherings” become the norm. But when Enron files for bankruptcy, Cruver discovers he’s just a pawn in a failing game of corporate greed–one that made the rich richer…while the rest lost everything.