Ramanagara wakes up to a series of events that shocks the entire Nation. In this crisis, two individuals with two different perspectives on law and justice intervene to define the truth.

Based on actual events about the harsh realities of teenagers living life in a group home (where over 100,000 American juveniles live each year). The story: Roy (Josh Keaton), a new kid and artist from the suburbs is tested by Daryl (Carl Gilliard), the group home leader and his military style rules, a forbidden romance with Laura (Chloe Taylor), his streetwise and reactionary roommate (Danny Arroyo), and his own troubled past as he tries to survive until ‘graduation day’. In the end, only his art can save his dreams of love, hope and freedom.

Simon, with the help of his two best friends, sets out to find ‘The One’. What he finds instead is a series of absurd romantic misadventures.

The Magnificent Seven Deadly Sins is a 1971 British comedy film directed and produced by Graham Stark. Its title is a conflation of The Magnificent Seven and the seven deadly sins. It comprises a sequence of seven sketches, each representing a sin and written by an array of British comedy-writing talent. The sketches are linked by animation sequences. The music score is by British jazz musician Roy Budd, cinematography by Harvey Harrison and editing by Rod Nelson-Keys and Roy Piper. It was produced by Tigon Pictures and distributed in the U.K. by Tigon Film Distributors Ltd..

Jeremy Clarkson and James May travel to the North of England to name and shame some of the worst cars in history, from manufacturers who “should have known better”.

Lara Jean and Peter have just taken their romance from pretend to officially real when another recipient of one of her love letters enters the picture.

On a surveillance mission in a primordial forest, a park ranger encounters two survivalists following a post-apocalyptic lifestyle. The boy and his philosophical father seem to have their own religion, and a mysterious relationship to nature. There are many suspicious aspects to their existence, but when the cabin is attacked by strange, post-human beings one night, she learns that there is a greater threat in this emergent wilderness. Gaia is an ecological horror fantasy which engages the burning issues of our time.

The evil Count Draculon and his army of demons have conquered Earth, but a young soldier who lost his life in the first war against Hell has reawakened in the future as MANBORG! Together with a crew of post-apocalyptic rebels, the half-man half-machine hero will fight to defeat Draculon and take back the planet!

Raised by his grandmother, Owen lives the entirety of his life in the shadow of his parent’s abandonment. Owen endures many relationship struggles with both his family and romantic partners which causes him to understand and sympathize with his grandmother and parents.

On a March night in 1964, 37 neighbors in Queens, New York, witness the brutal murder of Kitty Genovese. None of them takes action or calls the police. 37 tells the story of a few of these people and what led up to the night when they unexplainably remained passive observers. The film is a convincing portrayal of a borough in change and a time characterized by racism, the Civil Rights Movement and political shifts. The actual event that inspired the film’s plot has been called a symbol for the moment when America lost its innocence. The director Puk Grasten skillfully weaves into her feature film debut various fates, dreams and family conflicts by leading us through an apartment building that comes to bear a collective failure.

A young man comes to possess a supernatural notebook, the Death Note, that grants him the power to kill any person simply by writing down their name on the pages. He then decides to use the notebook to kill criminals and change the world, but an enigmatic detective attempts to track him down and end his reign of terror.

Beth is a helpline volunteer – part of the small army that gets on the phone every night across America, fielding calls from all kinds of people feeling lonely, broken, hopeless. Over the last year the tide has become a tsunami. As Beth goes through her shift, the stakes rise: is this the night she will lose someone? Save someone? Eventually, Beth’s own story comes to light, revealing why she does it. All along we remain with her: listening, comforting, connecting – patching the world back together, one stitch at a time.