White Creek is a place from another universe. A place where feudalism remains intact and people struggle to break free from debt. One family must escape the dangers of this decaying society, as the power in their valley changes hands. In the end they are left to decide how to move forward in this universe and the next.

In the year of 2039, after World Wars destroy much of the civilization as we know it, territories are no longer run by governments, but by corporations; the mightiest of which is the Mishima Zaibatsu. In order to placate the seething masses of this dystopia, Mishima sponsors Tekken, a tournament in which fighters battle until only one is left standing.

Minutes after Laurie Strode, her daughter Karen and granddaughter Allyson left masked monster Michael Myers caged and burning in Laurie’s basement, Laurie is rushed to the hospital with life-threatening injuries, believing she finally killed her lifelong tormentor. But when Michael manages to free himself from Laurie’s trap, his ritual bloodbath resumes. As Laurie fights her pain and prepares to defend herself against him, she inspires all of Haddonfield to rise up against their unstoppable monster. The Strode women join a group of other survivors of Michael’s first rampage who decide to take matters into their own hands, forming a vigilante mob that sets out to hunt Michael down, once and for all.

In real life, Kwon Yoo is unemployed, but in the virtual game world he is the best leader. Kwon Yoo is then framed for a murder. With the help of hacker Yeo-Wool, he tries to uncover the truth behind the murder case.

A desperate ex-con is forced to gather his old crew for one last job to pay off his sister’s debt to a dangerous local criminal.

The film chronicles the exploits of the title character, Charlie, played by Raymond J. Barry (Training Day) a career criminal intent on scoring one last big pay day. When his “perfect crime” goes bad, Charlie flees to Los Angeles to hide out with his estranged son, Danny, played by Michael Weatherly. What ensues reveals the true nature of some of the most unsavory of characters.

Brendan Cobbs (Jon-Paul Gates), a famous novelist, is struggling with writer’s block. His agent sends him to a remote cottage in rural England with undesirable and unwelcoming locals and no connection to the outside world. This is where he encounters Alfred, a child size doll, who can mysteriously come to life when Brendan isn’t watching him. Brendan thinks Alfred could be a great idea for his new book. But deadly consequences are about to hit Brendan as no matter what he does, he cannot seem to get rid of Alfred or his followers. Something big is coming for Brendan with the intent to kill…

Colombian drug kingpin Jesús Morales secretly pays for the services of a sniper nicknamed “The Devil,” capable of killing one-by-one the enemies of anyone who hires him. With no adversaries left alive, Morales grows stronger and gains control of more smuggling routes into the United States. The DEA, alarmed by this threat to the country, sends agent Kate Estrada, who has been following Morales for years, and Marine sniper Brandon Beckett to Colombia. Their mission: Kill “The Devil” and bring Morales back to the US to be tried for his crimes. The agents think they have everything under control, but Morales and “The Devil” have prepared plenty of surprises to keep the mission from succeeding.

After his father is killed in a car crash, Jack travels home to Colorado to help nurse his mother (who was injured in the crash) back to health. There, he uncovers long buried secrets and lies within his family, his friends, and his very identity.

A man wakes trapped inside a cargo container with only a cell phone and is given 24 hours by his kidnappers to raise ten million dollars in ransom or die.

Aliens land in South Africa and, with their ship totally disabled, have no way home. Years later, after living in a slum and wearing out their welcome the ‘Non-Humans’ are being moved to a new tent city overseen by Multi-National United (MNU).

By 2017, the global economy has collapsed and American society has become a totalitarian police state, censoring all cultural activity. The government pacifies the populace by broadcasting a number of game shows in which convicted criminals fight for their lives, including the gladiator-style The Running Man, hosted by the ruthless Damon Killian, where “runners” attempt to evade “stalkers” and certain death for a chance to be pardoned and set free.