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Fully authorized, access-all-areas feature doc on the hugely charismatic and globally adored Usain Bolt – officially the fastest man alive. With never-before-seen archive footage of his youth in Jamaica, through to original footage that will be captured at his fourth and final Olympic Games in Rio, where he will compete for the gold in both the 100 and 200 metres races, for a third straight Games before his retirement in 2017. I AM BOLT will reveal the man and define the legacy of this incredible athlete.

A temporary house for abandoned children near the front line in eastern Ukraine is run by a small group of social workers determined to provide comfort and safety. It may be humble and somewhat run-down, but this house is filled with love and offers up to nine months of refuge to kids whose fate will be determined by the system. During this short time, the caretakers try to nurture within them a sense of stability and normalcy.

Small-town import Ryan Hamilton charms New York with folksy comic observations on big-city life, hot-air ballooning and going to Disney World alone.

The film details the personal experiences of five young Western men who were identified in childhood as being tulkus, or reincarnated Tibetan Buddhist masters.

Three girls living in Los Angeles, CA in the 1980s found cult fame when they “accidentally” transitioned from models to B-movie actresses, coinciding with the major direct-to-video horror film boom of the era. Known as “The Terrifying Trio,” Linnea Quigley (The Return of the Living Dead), Brinke Stevens (The Slumber Party Massacre) and Michelle Bauer (The Tomb), headlined upwards of ten films per year, fending off men in rubber monster suits, pubescent teenage boys, and deadly showers. They joined together in campy cult films like Sorority Babes in the Slimeball Bowl-a-Rama (1988) and Nightmare Sisters (1987). They traveled all over the world, met President Reagan, and built mini-empires of trading cards, comic books, and model kits. Then it all came crashing down. This documentary remembers these actresses – and their most common collaborators – on how smart they were to play stupid

A look into the hard working heart of neo-burlesque.

The Dark Files is an investigative docu-drama chronicling former CIA operative Barry Eisler, award-winning journalist Steve Volk, and documentarian Christopher Garetano’s exploration into the mythologies, conspiracies and accusations that surround Camp Hero, an abandoned military base in Montauk, Long Island.

With aerial footage from 54 countries, HOME is a depiction of how the Earth’s problems are all interlinked.

In 1982, three 11 year-olds in Mississippi set out to remake their favorite film: Raiders of the Lost Ark. It took seven turbulent years that tested the limits of their friendship and nearly burned down their mother’s house. By the end, they had completed every scene except one… the explosive airplane scene. 30 years later, they attempt to finally realize their childhood dream by building a replica of the 75 foot “Flying Wing” plane from Raiders in a mud pit in the backwoods of Mississippi… and then blow it up! This is the story behind the making of what is known as “the greatest fan film ever made.”

In August 1997, the tragic death of Diana, Princess of Wales, stunned her family and catapulted the British public into one of the most extraordinary weeks in modern history. What was it about Diana that resulted in such an outpouring of grief? And what does that week reveal about Britain’s relationship with the monarchy, then and now?

A place: Theresienstadt. A unique place of propaganda which Adolf Eichmann called the “model ghetto”, designed to mislead the world and Jewish people regarding its real nature, to be the last step before the gas chamber. A man: Benjamin Murmelstein, last president of the Theresienstadt Jewish Council, a fallen hero condemned to exile, who was forced to negotiate day after day from 1938 until the end of the war with Eichmann, to whose trial Murmelstein wasn’t even called to testify. Even though he was without a doubt the one who knew the Nazi executioner best. More than twenty-five years after Shoah, Claude Lanzmann’s new film reveals a little-known yet fundamental aspect of the Holocaust, and sheds light on the origins of the “Final Solution” like never before.