Ever since 17-year-old Rachel Levy, an Israeli, was killed four years ago in Jerusalem by a Palestinian suicide bomber, her mother Abigail has found hardly a moment’s peace. Levy’s killer was Ayat al-Akhras, also 17, a schoolgirl from a Palestinian refugee camp several miles away. The two young women looked unbelievably alike. TO DIE IN JERUSALEM unabashedly explores the Palestinian-Israeli conflict through the personal loss of two families. The film’s most revealing moment is in an emotionally charged meeting between the mothers of the girls, presenting the most current reflection of the conflict as seen thru their eyes.

The true story of Edward Gein, the farmer whose horrific crimes inspired Psycho, The Texas Chainsaw Massacre and The Silence of the Lambs. This is the first film to Gein’s tormented upbringing, his adored but domineering mother, and the 1957 arrest uncovered the most bizarre series of murders America has ever seen

A dramatised historical account of the rise and fall of Urbain Grandier, a 17th-century Roman Catholic priest accused of witchcraft following alleged demonic possessions of sexually repressed nuns.

History of Jerusalem

A film adaptation of a book written in 1963. It tells the true story of Wilkerson’s first five years in New York City, where he ministered to disillusioned youth, encouraging them to turn away from the drugs and gang violence they were involved with.

The Fighter, is a drama about boxer “Irish” Micky Ward’s unlikely road to the world light welterweight title. His Rocky-like rise was shepherded by half-brother Dicky, a boxer-turned-trainer who rebounded in life after nearly being KO’d by drugs and crime.

‘Her Name Is Chef’ is a documentary film by Pete Ferriero that spotlights six bad-ass, inspiring, sheroes of the kitchen. Each share their triumphs in cutting through the clichés of the restaurant industry, and explore how they broke down the doors to ‘earn’ the title of Chef. Host Leia Gaccione sits down with Elizabeth Falkner, Fatima Ali, Hillary Sterling, Esther Choi, Juliet Masters, and Caroline Schiff. They open up their hearts and minds to the world, leaving no stone unturned.

In 2017, the fittest athletes on Earth took on the unknown and unknowable during four of the most intense days of competition in CrossFit Games history. “The Redeemed and the Dominant: Fittest on Earth” captures all the drama as the top athletes resembling chiseled Grecian gods descend on Madison, Wisconsin, to face a series of trials. Hercules faced 12; they take on 13. Emotions run high as a throng of Australian athletes rise to the top. By the end of the competition, some learn tough lessons – that all that glitters isn’t gold, or even bronze – and some learn that they’re even stronger than they realized. The best among them enter the pantheon of the CrossFit giants and earn the right to call themselves the “Fittest on Earth”

What do a farmer in Kansas, a laid-off factory worker in Ohio, and an Uber driver in Florida have in common? All three are resourceful, positive thinkers who strive to adapt and thrive despite dehumanizing forces at play in the American economy. As the film’s heroes face these roadblocks with courage, certain ideals remain sacred: family, love, and staying strong in the face of adversity. Lush cinematography galvanizes a sense of place and, as the narrative unfolds, the intimacy with the characters results in an emotionally rich observational drama. Ultimately, “The Disrupted” reveals a collective American experience of financial challenge, family resilience, and the quest for the purpose and dignity of work.

In 1818, high-spirited young Fanny Brawne finds herself increasingly intrigued by the handsome but aloof poet John Keats, who lives next door to her family friends the Dilkes. After reading a book of his poetry, she finds herself even more drawn to the taciturn Keats. Although he agrees to teach her about poetry, Keats cannot act on his reciprocated feelings for Fanny, since as a struggling poet he has no money to support a wife.

A look at the life and music of legendary singer and civil rights activist, Mavis Staples.

On January 1, 2014, recreational marijuana sales began in Colorado. With all eyes on ground zero of the green rush, The Denver Post became the first major media outlet to embrace it and appointed the world’s first marijuana editor. Legalization is not just an experiment for society, but a risk for the dying industry of newspapers to hedge its bets on the booming business of marijuana. Ricardo Baca sets out to report on history in the making with a team of straight-laced staff writers and fish out of water freelancers in tow for The Cannabist as it unfolds. Policy news, strain reviews, parenting advice and edible recipes are the new norm in the unprecedented world of pot journalism.