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It was a strange and curious misfit. Though born a Buick, the Grand National was clearly something else. It was too quick and too brutish to carry that stodgy name. There was something inside the car trying to get out.

Ai Weiwei is known for many things – great architecture, subversive in-your-face art, and political activism. He has also called for greater transparency on the part of the Chinese state. Director Alison Klayman chronicles the complexities of Ai’s life for three years, beginning with his rise to public prominence via blog and Twitter after he questioned the deaths of more than 5,000 students in the 2008 Sichuan earthquake. The record continues through his widely publicized arrest in Beijing in April of 2011. As Ai prepares various works of art for major international exhibitions, his activism heats up, and his run-ins with China’s authorities become more and more frequent.

The stranger-than-fiction true story of George Lazenby, a poor Australian car mechanic who, through an unbelievable set of circumstances, landed the role of James Bond despite having never acted a day in his life.

No-nonsense comic Bill Burr takes the stage in Nashville and riffs on fast food, overpopulation, dictators and gorilla sign language.

Guilty pleasure or genius, misfits or mavericks, noble or naff – how do we really feel about the Bee Gees? Are the brothers Gibb a cacophony of falsettos or songwriting maestros, the soundtrack to every office party or masters of melancholy and existential rage? Are they comedy or Tragedy? How deep is our love and how deep are the Bee Gees? With a back catalogue that includes hits like How Do You Mend a Broken Heart, Massachusetts, Islands in the Stream, Stayin’ Alive, Chain Reaction, How Deep Is Your Love, Gotta Get a Message to You, Words, To Love Somebody and Night Fever, the Bee Gees are second only to the Beatles in the 20th-century songwriting pantheon, but while their pop success spans several decades, there are different Bee Gees in different eras. Is there a central glue that unites the brothers and their music and, if so, what is it? The Joy of the Bee Gees features a rare interview with the last remaining Bee Gee brother, Barry Gibb, many of those musicians and industry …

Sinful sexpot, Michelle “Bombshell” McGee takes you on a whirlwind march through a collection of absurd film clips and trailers from Nazi grindhouse cinema.

Follows the Boston Red Sox’ Tim Wakefield and the New York Mets’ R.A. Dickey – the only two major league pitchers who use the unpredictable knuckleball – during the 2011 season.

THE SPIRIT MOLECULE weaves an account of Dr. Rick Strassman’s groundbreaking DMT research through a multifaceted approach to this intriguing hallucinogen found in the human brain and hundreds of plants, including the sacred Amazonian brew, ayahuasca. Utilizing interviews with a variety of experts to explain their thoughts and experiences with DMT, and ayahuasca, within their respective fields, and discussions with Strassman’s research volunteers, brings to life the awesome effects of this compound, and introduces us to far-reaching theories regarding its role in human consciousness.

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A documentary directed by Grammy- and Emmy Award-winning filmmaker Thom Zimny. The ninety-minute film combines never-before-seen footage of Springsteen and the E Street Band shot between 1976 and 1978—including home rehearsals and studio sessions—with new interviews with Springsteen, E Street Band members, manager Jon Landau, former-manager Mike Appel, and others closely involved in the making of the record.

The film Supervention addresses all aspects of modern free-skiing. The company behind the film has previously won numerous awards within the genre and we meet amazing riders usually not on film, Aksel Lund Svindal and Terje Haakonsen.