The Linguists is a hilarious and poignant chronicle of two scientists—David Harrison and Gregory Anderson—racing to document languages on the verge of extinction. In Siberia, India, and Bolivia, the linguists confront head-on the very forces silencing languages: racism, humiliation, and violent economic unrest. David and Greg’s journey takes them deep into the heart of the cultures, knowledge, and communities at risk when a language dies.

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While the 2016 election catalyzed the Women’s March and a new era of feminist activism, Tamika Mallory and Erika Andiola have been fighting for their communities for decades. Their stories expose the fundamental connection between personal and political and raise the question: what’s intersectionality and can it save the world?

More money flows through the family courts, and into the hands of courthouse insiders, than in all other court systems in America combined – over $50 billion a year and growing. Through extensive research and interviews with the nation’s top divorce lawyers, mediators, judges, politicians, litigants and journalists, DIVORCE CORP. uncovers how children are torn from their homes, unlicensed custody evaluators extort money, and abusive judges play god with people’s lives while enriching their friends. This explosive documentary reveals the family courts as unregulated, extra-constitutional fiefdoms. Rather than assist victims of domestic crimes, these courts often precipitate them. And rather than help parents and children move on, as they are mandated to do, these courts – and their associates – drag out cases for years, sometimes decades, ultimately resulting in a rash of social ills, including home foreclosure, bankruptcy, suicide and violence.

The story of David Robinson’s nearly eighteen-year struggle to prove his innocence and the devastating effects wrongful convictions have on not just the falsely accused but on their family and community.

In Minnesota’s unforgiving North Country, hockey is life. Over the course of a season, two rival high school programs—one an emergent dynasty, the other steeped in a proud legacy—strive for a coveted state championship. With the hopes of their towns behind them, boys on both sides cope with the pressures of adolescence along with the added burden of bringing glory to one of the country’s most hockey-crazed communities.

A team of filmmakers take a tour of South America with mural artist and animator Blu, looking to see how his art and mind will be influenced through total immersion in foreign cultures. The team traveled through Mexico, Guatemala, Nicaragua Costa Rica and Argentina, and named the film after those countries. In the director’s words, “What came out was an unscripted film about improvisation, inspiration (and perspiration), innovation, self-exploration and all the other good things in life that end with -ion.”

In 1983 two young racing drivers where fighting for supremacy in the British Formula 3 series. Winning the championship would guarantee them a place in Formula 1 for the next year. It was a time when junior formula racing was still simple and raw; a time when the driver was in charge of winning.

Katie Couric travels across the U.S. to talk with scientists, psychologists, activists, authors and families about the complex issue of gender.

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Led by the success of the B-52’s and R.E.M., Athens, Georgia was the most happening music scene in the country by the mid 80’s. Following several different bands from different genres, this film paints Athens as a magical artistic environment where bands are not in competition, but co-exist in harmony and share the ideals of the land. Live performances of R.E.M.’s “Swan Swan H” and “Dream (All I Have To Do)” at the Lucy Cobb Institute chapel are included. Also featured are performances and interviews frm the B-52’s, Pylon, B-B-Que Killers, Time Toy, Jim Herbert, Flat Duo Jets, Love Tractor, Kilkenny Cats, Squalls and more

Since the beginning of her career, Sinéad O’Connor has used her powerful voice to challenge the narratives she was surrounded by while growing up in predominantly Roman Catholic Ireland. Despite her agency, depth and perspective, O’Connor’s unflinching refusal to conform means that she has often been patronized and unfairly dismissed as an attention-seeking pop star.