Attempting to surpass his father’s legacy, an Indian American neuroscientist becomes entangled in his own experiment, pitting ten fragments of his consciousness against each other.
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THE MAN WHO WAS THURSDAY is inspired by the existentialist novel of the same name by G.K. Chesterton (1908). The novel is considered a metaphysical thriller, and our film could be considered the same, though it also can be thought of in more classical cinematic terms a psychological and supernatural thriller.
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