Comedy sequel to “East is East”. Manchester, North of England, 1975. The now much diminished, but still claustrophobic and dysfunctional, Khan family continues to struggle for survival. Sajid, the youngest Khan, the runt of the litter, is deep in pubescent crisis under heavy assault both from his father’s tyrannical insistence on Pakistani tradition, and from the fierce bullies in the schoolyard. So, in a last, desperate attempt to ‘sort him out’, his father decides to pack him off to Mrs Khan No 1 and family in the Punjab, the wife and daughters he had abandoned 35 years earlier. It is not long before Ella Khan (Mrs Khan No2) with a small entourage from Salford, England, swiftly follows to sort out the mess, past and present.

An Indian woman fights to survive in war-torn Iraq.

Llewelyn Moss stumbles upon dead bodies, $2 million and a hoard of heroin in a Texas desert, but methodical killer Anton Chigurh comes looking for it, with local sheriff Ed Tom Bell hot on his trail. The roles of prey and predator blur as the violent pursuit of money and justice collide.

A big new home, a lovely wife and a new job seem to steer Henrik firmly towards the middle age and a bourgeois lifestyle. There is, however, a substantial amount of boyish prankster still in him – sometimes a little bit too much. Director Martin Lund’s understated, offbeat humour often evokes Bent Hamer’s delightful studies of lone males (O’Horten, Kitchen Stories)

Scotty Smalls moves to a new neighborhood with his mom and stepdad, and wants to learn to play baseball. The neighborhood baseball guru Rodriquez takes Smalls under his wing. They fall into adventures involving baseball, treehouse sleep-ins, the desirous lifeguard at the local pool, the snooty rival ball team, and the travelling fair.

When British aid worker Hana returns to Luxor, a sleepy city on the banks of the Nile, she comes across Sultan, a talented archeologist and former lover. As she wanders, haunted by the familiar place, she struggles to reconcile the choices of the past with the uncertainty of the present.

A gardener in East L.A. struggles to keep his son away from gangs and immigration agents while traveling across town to perform landscaping work for the city’s wealthy landowners.

In a ghetto where religion and drug trafficking rub shoulders, Dounia has a lust for power and success. Supported by Maimouna, her best friend, she decides to follow in the footsteps of Rebecca, a respected dealer. But her encounter with Djigui, a young, disturbingly sensual dancer, throws her off course.

A disgruntled South African woman leaves her fiancé and embezzles money from her job to pursue her dream of being a Broadway star in New York City.

Dr. Sullivan Travis is a man at the top of his game, a rich and successful Dallas gynecologist whose “religion” is women. Dr. T. worships women. In his immediate family and in his office, they surround him. He is loving and giving to each and every one at all times — he is their savior. And sure enough, as in the story of Job, one day a higher force decides to test his faith. Once a man in complete control of his universe, Dr. T. now finds himself buffeted by chaos and confusion.

Novalee Nation is a 17-year-old Tennessee transient who has to grow up in a hurry when she’s left pregnant and abandoned by her boyfriend on a roadside in Sequoyah, Okla., and takes refuge in the friendly aisles of Wal-Mart. In short order, some eccentric, kindly strangers “adopt” Novalee and her infant daughter, helping them buck the odds and build a new life.

Women are left behind to work a family farm during the Great War.