A briefcase with undisclosed contents – sought by Irish terrorists and the Russian mob – makes its way into criminals’ hands. An Irish liaison assembles a squad of mercenaries, or ‘ronin’, and gives them the thorny task of recovering the case.

A shallow, provincial wife finds her relationship with her preoccupied husband strained by romantic notions of love, leading her further towards Paris and the country wilderness.

After John’s absent father is struck by a stray bullet, Primo takes it upon himself to verse the young boy in the code of the streets—one founded on respect and upheld by fear. A member of the Bloods since the age of twelve—both in the film and in reality—the streets of Brooklyn are all Primo has ever known. While John questions whether or not to enter into this life, Primo must decide whether to leave it all behind as he vows to become a better husband and father. Set during those New York summer weeks where the stifling heat seems to encase everything, Five Star plunges into gang culture with searing intensity. Director Keith Miller observes the lives of these two men with a quiet yet pointed distance, carefully eschewing worn clichés through its unflinching focus. Distinctions between fiction and real life remain intentionally ambiguous, allowing the story of these two men to resonate beyond the streets, as they face the question of what it means to be a man.

In Korea, on 6 September 1950, Lieutenant Benson’s platoon finds itself isolated in enemy-held territory after a retreat. Soon they are joined by Sergeant Montana, whose overriding concern is caring for his catatonic colonel. Benson and Montana can’t stand each other, but together they must get the survivors to Hill 465, where they hope the division is waiting. It’s a long, harrowing march, fraught with all the dangers the elusive enemy can summon.

A small circle of friends suffering from post-collegiate blues must confront the hard truth about life, love and the pursuit of gainful employment. As they struggle to map out survival guides for the future, the Gen-X quartet soon begins to realize that reality isn’t all it’s cracked up to be.

A woman seeking a quiet life in post-World War II British Malaya finds love and a common interest in gardening with a mysterious Japanese man.

Millions witnessed Philip Markham’s public humiliation when he got dumped by Catherine, the beautiful star of a popular dating show, and now – several years and reality series later – he wants revenge. After taking Catherine captive, he lures nine unsuspecting co-eds to her luxurious mansion in the middle of nowhere, trapping the contestants in his own sick version of reality TV – where the challenges are bizarre, the danger is real and death is just a competition away.

Mary Wollstonecraft’s family disapproves when she and poet Percy Shelley announce their love for each other. The family is horrified when it finds that the couple has eloped, accompanied by Mary’s half-sister, Claire. While staying in the home of Lord Byron at Lake Geneva, the guests are challenged to write a ghost story, which leads Mary to conceive her novel “Frankenstein”.

While driving to Las Vegas for the bachelor party of her sister Melissa and her fiance Bobby, Kayla stops the car in the gas station to meet her date, Nik, a guy she met on the internet. Nik convinces her to take a secondary road under the protest of Bobby but the car breaks down. They find a house in the middle of nowhere and decide to take the car parked in the house’s garage to the next city…

Taking his inspiration from the biggest scandal in Japan’s police history, Kazuya Shiraishi has created a massive and sinister crime epic about the grand forces of corruption that brings to mind the best of Kinji Fukasaku’s yakuza movies (​Cops vs. Thugs among others). Starting in 1970s Hokkaido like a nervous Japanese Starsky & Hutch–​chan, the film charts the moral descent of Detective Moroboshi (Go Ayano) over three decades. Green in years but already hard‐grained and ready to play rough, the young cop quickly gets a bit too cozy with the other side of the law when his senior colleague Murai (Pierre Taki) teaches him the ropes and ruts of the police business. Soon, he swaggers and rants through the streets of Sapporo a lean, mean, sex‐crazy bully, indistinguishable from a yakuza. Burning with the same blaze as the hard‐boiled classics of yore, ​Twisted Justice scorches away the sleekness and macho self‐congratulation of the genre. ​

When two corrupt police officers investigate the brutal murder of a young girl, tensions come to a head in their small, racially-segregated town.

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