When two corrupt police officers investigate the brutal murder of a young girl, tensions come to a head in their small, racially-segregated town.

In Mexico, two teenage boys and an attractive older woman embark on a road trip and learn a thing or two about life, friendship, sex, and each other.

Twelve-year-old Beans is on the edge: torn between innocent childhood and reckless adolescence; forced to grow up fast and become the tough Mohawk warrior she needs to be during the Oka Crisis, the turbulent Indigenous uprising that tore Quebec and Canada apart for 78 tense days in the summer of 1990.

The Argentine, begins as Che and a band of Cuban exiles (led by Fidel Castro) reach the Cuban shore from Mexico in 1956. Within two years, they mobilized popular support and an army and toppled the U.S.-friendly regime of dictator Fulgencio Batista.

After getting dropped by her publisher, celebrated novelist Hannah Ryan uses the negative forces in her life to inspire the creation of a pulp crime serial that posts new chapters to subscriber’s devices every week. The initial release is a modest success but the work becomes a massive hit after a real life murder takes place that bears a striking similarity to Hannah’s story. Is it really just a coincidence or is it possible that a copycat serial killer is acting out the fictitious murders in real life? And is he going to strike again once Hannah releases her next chapter?

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The five days when Copenhagen was held in a panic grip by an intelligent activist and former elite shooter, who takes to arms when a woman journalist writes about the government’s broken promises in an environmental question.

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Staged at the Stratford Festival and named on many 2018 year-end critics “best of” lists, the Stratford Festival’s “riveting” and “exhilarating” (The New York Times) production of Shakespeare’s Coriolanus, has been called “the show of the decade… a landmark production for the Stratford Festival. Maybe for William Shakespeare, too” (The Globe and Mail), and “the greatest contemporary staging of this play that I have ever seen” (Chicago Tribune).

A woman suffers a nervous breakdown and an oppressive mother before being freed by the love of a man she meets on a cruise.

Separation concerns the inner life of a woman during a period of breakdown – marital, and possibly mental. Her past and (possible?) future are revealed through a fragmented but brilliantly achieved and often humorous narrative, in which dreams and desires are as real as the ‘swinging’ London (complete with Procul Harum music and Mark Boyle light show) of the film’s setting.

Henry Brogen, an aging assassin tries to get out of the business but finds himself in the ultimate battle: fighting his own clone who is 25 years younger than him and at the peak of his abilities.