Jodhaa Akbar is a sixteenth century love story about a marriage of alliance that gave birth to true love between a great Mughal Emperor, Akbar and a Rajput princess, Jodhaa.

An African American male is imprisoned and placed in solitary confinement after being found guilty of murdering his wife, as he’s haunted by internal demons and his dead wife, and pushed to the breaking point by an abusive female guard.

There are three stories of women and men: in “A Time for Love” set in 1966, a soldier searches for a young woman he met one afternoon playing pool; “A Time for Freedom,” set in a bordello in 1911, revolves around a singer’s longing to escape her surroundings; in “A Time for Youth” set in 2005 Taipei, a triangle in which a singer has an affair with a photographer while her partner suffers is dramatized. In the first two stories, letters are crucial to the outcome; in the third, it’s cell-phone calls, text messages, and a computer file. Over the years between the tales, as sexual intimacy becomes more likely and words more free, communication recedes.

Khaila Richards, a crack-addicted single mother, accidentally leaves her baby in a dumpster while high and returns the next day in a panic to find he is missing. In reality, the baby has been adopted by a warm-hearted social worker, Margaret Lewin, and her husband, Charles. Years later, Khaila has gone through rehab and holds a steady job. After learning that her child is still alive, she challenges Margaret for the custody.

Bella sees her parents killed during a home invasion. Afterwards, she keeps waking up in a strange white room and the past keeps playing over and over. Bella must solve the mystery of the White Room and move on, but to where?

A taciturn loner and skilled cook has traveled west and joined a group of fur trappers in Oregon Territory, though he only finds true connection with a Chinese immigrant also seeking his fortune; soon the two collaborate on a successful business, although its longevity is reliant upon the clandestine participation of a nearby wealthy landowner’s prized milking cow.

To get to know his girlfriend’s son, a man volunteers to pick him up from a prep school….only to learn that her son’s not the nicest kid.

A human child raised by wolves, must face off against a menacing tiger named Shere Khan, as well as his own origins.
The story follows the upbringing of the human child Mowgli raised by a pack of wolves in the jungles of India. As he learns the often harsh rules of the jungle, under the tutelage of a bear named Baloo and a black panther named Bagheera, Mowgli becomes accepted by the animals of the jungle as one of their own, except for one; the fearsome tiger Shere Khan. But there may be greater dangers lurking in the jungle, as Mowgli comes face to face with his human origins.

Toma and Ana meet as students in the literature faculty, and quickly fall in love. But, because of Ana’s mental illness, their relationship slowly collapses.

Two sibling doctors take on a young diabetic patient and both fall for the girl’s lovely mother, who tends bar at a local watering hole, testing their fraternal bonds and professional relationship.

Based on the novel by Andy Zeffer, “Going Down in LA-LA Land” is a riveting and uncensored look at Hollywood. It is a story that reveals how friendships sustain us and keep us going. It is a tale that reflects our celebrity-obsessed culture. It is a revealing look at some people’s desire to be loved, adored, and adulated at any cost. Readers have grown to adore the flawed and imperfect, yet earnest and likable characters of Adam and Candy. Now movie audiences will have the same opportunity to follow their rocky ride through Hollywood, and all the laughs that go along with it.

After years of questioning why people fear him, Death (March) takes on human form so he can mingle among the mortals and find an answer. However, events soon spiral out of control as he falls in love with the beautiful young Grazia (Venable), the only woman unafraid of him. As he falls in love with her, her father, Duke Lambert (Standing), sees him for what he is and begs him to return to his duties. Death must decide whether or not to seek his own happiness, or sacrifice it so that Grazia may live.