Silent film master D.W. Griffith’s first talkie works as a companion piece to his classic BIRTH OF A NATION, providing a detailed biographical sketch of the 16th president. We see his birth in a log cabin, the tragic death of his first love, Ann Rutledge (Una Merkel), his debates with Douglas, his accepting of the presidency, the terrible toll of the Civil War, and finally the tragic assassination at Ford’s Theater. Griffith shows his usual meticulous attention to period detail, and the framing of the various vignettes has the feel of historical photographs come to life. Walter Huston is excellent in the title role, with a portrayal that subtly evolves from laconic, wizened rascal to noble elder statesman. This is a fascinating, worthy film, and an interesting historical document in and of itself.

Fame today is more than an obsession. Fame has become what millions of us follow, believe in and seemingly what we care about most – as well as a billion dollar-a-year industry. But what does our intense fascination with celebrity say about us? And how much is too high a price to pay for our own curiosity run rampant? “$ELLEBRITY” is a candid dialogue about the tone and texture of celebrity, past, present and future; an examination of our pop culture; and an honest look at the quality of our media consumption.

Acclaimed writer and historian Deborah E. Lipstadt must battle for historical truth to prove the Holocaust actually occurred when David Irving, a renowned denier, sues her for libel.

A feature-length documentary to show why Britain should vote to LEAVE the EU – and would thrive outside of it. Brexit: The Movie spells out the danger of staying part of the EU. Is it safe to give a remote government beyond our control the power to make laws? Is it safe to tie ourselves to countries which are close to financial ruin, drifting towards scary political extremism, and suffering long-term, self-inflicted economic decline?

Features a bromance with a killer twist.

Conversations On Serious Topics is a film without exterior action, props, landscapes or special effects. Its main characters are children and teenagers with a special ability to describe the surrounding world. Intimate conversations with them reveal the picture of the modern world — at times melancholic, at times comical, at times dramatic. Shot in a minimalist fashion, the film raises questions about loneliness, love, God, the world and human relations. “The world is people.” “Don’t you believe in God? I can teach you how to start believing…”

When mysterious foreign entrepreneurs appear with the intention of tearing down Treasure Town and replacing it with an amusement park, Black and White face their greatest adversaries yet. It is up to the destructive Black to save the fate of the city and up to the gentle White to save Black from his own dark nature. On the street of an unnamed city, literally high-flying urchins Black and White look to protect their turf from invasion from other gangs. While he can be tough in a fight or wielding a weapon, White is an 11-year-old who can’t even dress himself. Slightly older, Black is more worldly and treats his buddy with paternal love. Both look on their city as “our town.” Also prone to seeing the city as his property is world-weary yakuza leader Suzuki, aka the Rat. Feeling the town has become too placid, Suzuki plots his return, much to the consternation of local police.

American GI Ernie Williams, admittedly weak-kneed, has an uncanny resemblance to British Colonel MacKenzie. Williams, also a master of imitation and disguise, is asked to impersonate the Colonel, ostensibly to allow the Colonel to make a secret trip East. What Williams is not told is that the Colonel has recently been a target of assassins. After the Colonel’s plane goes down, the plan changes and Williams maintains the disguise to confuse the Nazis about D-Day.

Modern farms are struggling to keep a secret. Most of the animals used for food in the United States are raised in giant, bizarre factories, hidden deep in remote areas of the countryside. Speciesism: The Movie director Mark Devries set out to investigate. The documentary takes viewers on a sometimes funny, sometimes frightening adventure, crawling through the bushes that hide these factories, flying in airplanes above their toxic manure lagoons, and coming face-to-face with their owners.

Four people seek a more sustainable and secure future by asking the question: “What is it really like to build and live in a tiny house?”

The documentary story of Harlan Ellison

A large man-eating crocodile terrorizes tourists and locals near Krabi, in Thailand. Michael Madsen plays a hunter stalking the immense reptile, while sub-plots include a rivalry between a foreigner, who owns a crocodile-farm, and a Thai man who plays a part in framing the foreigner for the crocodile’s rampage.