A teenage coding genius has just 30 days to create the world’s greatest video game or his family loses everything. No pressure.
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A possessed Ninja doll teams up with a teenage boy to avenge the murder of a poor child factory worker.
Maynard, a beloved local businessman is mistaken for the legendary Bigfoot during an inebriated romp through town in a makeshift gorilla costume. The sightings set off an international Bigfoot media spectacle and a windfall of tourism dollars for a simple American town hit by hard times. When Brock Masterson, reality TV’s “Monster Hunter,” arrives to hunt the beast, Maynard agonizes over whether to come clean, destroying the rebirth of his beloved town, or perpetuate the inadvertent hoax.
A daredevil designs and operates his own theme park with his friends.
Career woman finds out that her boyfriend is living a secret double life. She finds a bag of money and decides to make a run for it. She is accompanied by a little girl who is also on a run from her criminal step-father. Together they’re trying to make it to her grandmothers house.
In this variation on director Vadim’s own, more acclaimed Et Dieu Créa La Femme (1956, the same title in French), the vamp Robin Shea marries charming carpenter Billy Moran, only to get out of prison, but soon decides to seduce James Tiernan, who runs for state governor.
Clue finds six colorful dinner guests gathered at the mansion of their host, Mr. Boddy — who turns up dead after his secret is exposed: He was blackmailing all of them. With the killer among them, the guests and Boddy’s chatty butler must suss out the culprit before the body count rises.
Robin is sent by Batman to work with the Teen Titans after his volatile behavior botches up a Justice League mission. The Titans must then step up to face Trigon after he possesses the League and threatens to conquer the world.
Pride & Prejudice: A Latter-Day Comedy is a 2003 independent film adaptation/updating of Jane Austen’s novel, set in modern-day Provo, Utah, at Brigham Young University. The characters are Latter-day Saints (LDS).
A big new home, a lovely wife and a new job seem to steer Henrik firmly towards the middle age and a bourgeois lifestyle. There is, however, a substantial amount of boyish prankster still in him – sometimes a little bit too much. Director Martin Lund’s understated, offbeat humour often evokes Bent Hamer’s delightful studies of lone males (O’Horten, Kitchen Stories)
Based on the true childhood experiences of Noah Baumbach and his brother, The Squid and the Whale tells the touching story of two young boys dealing with their parents divorce in Brooklyn in the 1980’s.
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