When underappreciated video specialist Joe Scheffer is brutally humiliated by the office bully Mark McKinney in front of his daughter, Joe begins a quest for personal redemption. He proceeds by enduring a personal make-over and takes martial arts lessons from a B-action star. As news spreads of his rematch with Mark, Joe suddenly finds himself the center of attention, ascending the corporate ladder and growing in popularity. He’s determined to show everyone in his life that he is not a nobody, but a force to be reckoned with.

Comedy sequel to “East is East”. Manchester, North of England, 1975. The now much diminished, but still claustrophobic and dysfunctional, Khan family continues to struggle for survival. Sajid, the youngest Khan, the runt of the litter, is deep in pubescent crisis under heavy assault both from his father’s tyrannical insistence on Pakistani tradition, and from the fierce bullies in the schoolyard. So, in a last, desperate attempt to ‘sort him out’, his father decides to pack him off to Mrs Khan No 1 and family in the Punjab, the wife and daughters he had abandoned 35 years earlier. It is not long before Ella Khan (Mrs Khan No2) with a small entourage from Salford, England, swiftly follows to sort out the mess, past and present.

A 15-year-old discovers the joys and heartaches of first love with an older teen, but in the ensuing years, cannot seem to move past their breakup.

A dark comedy about a woman named Leslie Heart who inherits a horse and, in an attempt to elevate her failing status within her high society circle, trains it to race while secretly executing a long-con with an ex celebrity jockey.

Combining his trademark wit and self-deprecating humor with original music, Bo Burnham offers up his unique twist on life in this stand-up special about life, death, sexuality, hypocrisy, mental illness and Pringles cans.

In England, the times are a changing: it’s mods and rockers. On the day Nancy gets off the London train, cases in hand, looking for the YWCA, Colin has had enough of missing out on the sexual revolution. He begs his smooth (and misogynistic) pal Tolen to teach him ‘the knack’ – how to score with women. Serendipitously, Colin and his new lodger Tom meet up with Nancy while Colin’s buying a bed larger than Tolen’s. The three hit it off, but their simple fun ends when Tolen meets Nancy. Colin is jealous but impotent, and Tolen both attracts and repels her. She swoons, wonders what happened, and cries ‘rape.’ Impish serendipity rubs against unsettling ambiguity.

A military expedition in Siberia gone wrong. The existence of humanity is in peril as Inanna, Sumerian goddess of lust and war has summoned a giant meteor to destroy the planet, after being accidentally set free from her ancient prison. The government has been overturned in a Communist take-over and the citizens of the world; brainwashed. In humanity’s darkest hour, the ancient entity of Gilgamesh, older than the cosmos themselves, must decide whether or not to serve of mankind’s final hope. Meanwhile, Inanna has hand selected the one man; married man and archaeologist, David Murphy, to live out the rest of eternity with her. Gilgamesh and Inanna are quickly targeted by the new government as potential weapons of mass destruction, and soon the apocalypse has begun.

I (Takumi Kitamura) am a high school student. I happen to find a diary by my classmate Sakura Yamauchi (Minami Hamabe) that reveals she is suffering from a pancreatic disease. I spent time with Sakura, but she dies. 12 years later, due to Sakura’s words, I (Shun Oguri) am now a high school teacher at the same school where I graduated from. While I talk with my student, I remember several months I spent with Sakura. Meanwhile, Kyoko (Keiko Kitagawa), who was Sakura’s friend, is soon to marry. Kyoko also recalls the days she spent with me and Sakura.

Together, a filmmaker and her characters venture into a personal research project about intimacy. On the fluid border between reality and fiction, Touch Me Not follows the emotional journeys of Laura, Tómas and Christian, offering a deeply empathic insight into their lives. Craving for intimacy yet also deeply afraid of it, they work to overcome old patterns, defense mechanisms and taboos, to cut the cord and finally be free. Touch Me Not looks at how we can find intimacy in the most unexpected ways, at how to love another without losing ourselves.

Red Sonja, the She-Devil with a Sword, intends to pay back a blood debt owed to the one man who has gained her respect, even if it means leading a doomed army to their certain deaths! Who is Dark Annisia, and how has this fearsome warrior accomplished what neither god nor demon has been able to do: force Sonja to her knees in surrender? An epic tale of blood, lust, and vengeance, “Queen of Plagues” takes Red Sonja from the depths of her own grave to the heights of battlefield glory. From Gail Simone (“Batgirl”, “Birds of Prey”) and Walter Geovani (“Vampirella”, “Witchblade”), “Red Sonja: Queen of Plagues” gives the iconic fantasy heroine a fresh new attitude! And now, you can see it all brought to life in this animated comic, starring Misty Lee (“Ultimate Spider-Man”)!

Forced into exile by the English after being crowned King of Scotland, legendary warrior Robert the Bruce fights to reclaim the throne.

Wind From the East is a product of Jean-Luc Godard’s involvement, during the late 60s and early 70s, with a collective filmmaking experiment known as the Dziga Vertov Group. The film is, typically of the films he made during this period, about ideas and simultaneously about how best to express those ideas through the medium of film. The film deals with the situation of a strike and, during its first half, methodically analyzes the different components of the strike: the workers, the radical students who encourage the strike while not quite being able to communicate in the same terms as the workers, the union delegates and other middlemen who preach moderation and compromise, the employers who demand the immediate resumption of work, the police state that suppresses the strike on behalf of capitalism.