Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.

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Return to the forest and join Bambi as he reunites with his father, The Great Prince, who must now raise the young fawn on his own. But in the adventure of a lifetime, the proud parent discovers there is much he can learn from his spirited young son.

When Ethan Hunt, the leader of a crack espionage team whose perilous operation has gone awry with no explanation, discovers that a mole has penetrated the CIA, he’s surprised to learn that he’s the No. 1 suspect. To clear his name, Hunt now must ferret out the real double agent and, in the process, even the score.

An 11-year-old boy struggles to cope with the death of his father while trying to make new friends in an unfamiliar place, after his mother gets a job transfer.

The monsters have made it into a small neighboring town in the middle of nowhere and the locals have to band with the survivors of the bar’ slaughter to figure out how to survive.

In the days following the surrender of Germany in May 1945, a group of young German prisoners of war were handed over to the Danish authorities and subsequently sent out to the West Coast, where they were ordered to remove the more than two million mines that the Germans had placed in the sand along the coast. With their bare hands, crawling around in the sand, the boys were forced to perform the dangerous work under the leadership of the Danish sergeant, Carl Leopold Rasmussen.

Argentina, 1985 is inspired by the true story of Julio Strassera, Luis Moreno Ocampo and their young legal team of unlikely heroes in their David-vs-Goliath battle in which, under constant threat, they dared to prosecute Argentina’s bloodiest military dictatorship against all odds and in a race against time to bring justice to the victims of the Military Junta.

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An attractive cop is assigned the task of tracing millions of dollars of stolen church funds. The thief, is locked up in prison, and the plan is to break him out, and follow him to the hidden money. When she falls for the convict, things get complicated. The ex-boyfriend cop is jealous and suspicious.

Light Yagami finds the “Death Note,” a notebook with the power to kill, and decides to create a Utopia by killing the world’s criminals, and soon the world’s greatest detective, “L,” is hired to find the mysterious murderer. An all out battle between the two greatest minds on earth begins and the winner will control the world.

A father is on the run with his little baby girl to escape the ghosts of his past and the forces that want him dead.