In a city where the high school drop out rate is at its highest, a pre-destined path of murder, crime, and drug trafficking seems to be the only way of life for teenagers growing up in Liberty City.
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For his fourth full feature, Toyoshi Toyoda has abandoned the theme of the angry young man, examined in depth in Pornostar, Blue Spring and 9 Souls. Kuchu Teien is, on the face of it, more a drama, a character study, than a typical Toyoda genre flick. Yet within this beautifully structured and photographed film, there lies a dark soul. Ostensibly the story of a happy family, it becomes increasingly clear as the movie progresses that the Kyobashis are anything but. Despite a family agreement that they are all open with each other, the entire household knows the opposite is true.
After the death of his girlfriend, Travis, a thirty-something psychiatrist, struggles to keep it together. On the brink of a nervous breakdown he stumbles across a strange church run by a charismatic leader, Pastor Jay. In search of answers Travis is led deeper and deeper into the underworld of religious fanaticism, home to a Doomsday cult and a teenage girl named Grace.
Based on the true life story of California gymnast Ariana Berlin. As she zoned in on her Olympic goals, 14 year old Ariana Berlin’s life took a sharp turn when she was involved in a debilitating car accident. Gaining her confidence and movement back through learning hip hop dance, she unexpectedly found herself called back to the gymnastics world thanks to world renowned UCLA Coach Valorie Kondos Field. With Val’s help, Ariana was eventually able to secure a spot on the UCLA gymnastics team and win an NCAA championship, a lifelong goal that she had always dreamed of. This is a wonderfully inspiring story of persistence, confidence, and the heart and courage to make a somewhat impossible comeback in life.
Burt Lancaster plays Steve Thompson, a man who seals his dark fate when he returns to Los Angeles to find his ex-wife Anna Dundee (Yvonne DeCarlo) eager to rekindle their love against all better judgement. She encourages their affair but then quickly marries mobster Slim Dundee (Dan Duryea). To deflect suspicion of the affair, Steve Thompson leads Dundee into a daylight armored-truck robbery.
Young adolescent girl Jenna’s mother is dying, while at the same time Jenna is turning from a young girl into a young woman. So it is difficult for her to admit that she is afraid to lose her mother; instead she behaves contrary to how one would expect.
In 1983, Oliver Nicholas, at thirteen, is well-poised to enter the precocious teenage world of first-sex, vodka and possible-love in New York City when he is traumatized by the stroke of his housekeeper (and only true maternal figure), a sixty-five-year-old Chilean woman named Aida. What was supposed to be an exhilarating and somewhat fearful rite of passage – diving into the exciting, fast-paced world of first experiences – quickly becomes skewed by an incomprehensible depression, and a house of interior horrors. Surrounded by women – his untraditional, Spanish, photographer mother (more interested in the role of confidante than mother) his sister, a comedic, door-slamming tormentor, marked by her parent’s divorce; and Aida, his silver-haired emotional focal point on the verge of death in Lenox Hill Hospital – Oliver struggles to maintain his role as “man of the house” and his sanity.
Toni, a tomboyish boxer, lands a spot on an after-school drill team in the West End community of Cincinnati. She eagerly absorbs routines, masters drills, and even pierces her own ears to fit in. It’s the joy of her first friendships and her discovery of dance. Shortly after Toni joins the team, most of the girls on the team suffer from episodes of fainting, swooning, and shaking in a seemingly uncontrollable catharsis. Nobody can explain the mysterious outbreak. These fits soon transform into a rite of passage as the trauma draws the other girls closer together. Caught between her need for control and her desire for acceptance, Toni must decide how far she will go to embody her new ideals.
Louis Koo plays an assassin who wants to go straight after getting out of prison, so he turns down a job from his former employer Simon Yam to kill a politician. Yam carries out the hit himself and manages to frame Koo for the crime, who then must run from both the cops and criminals as he tries to clear his name.
A small group of town residents have to band together after a devastating ground invasion. As they struggle to survive, they realize they must stay one step ahead of their attackers, and work together for a chance to strike back.
Bari, a city caught in the relentless economic crisis. Ivo is an agronomist, but the lack of opportunities pushes him to accept a job in the fertile region of Banat in Romania. Clara has just ended a relationship and is about to lose her job at the Bari harbor. Ivo and Clara meet by chance and seem to immediately understand each other. They spend only one night together before Ivo’s departure, but that is enough to create a bond and wanting to meet again. When Clara visits him in Romania, they fall in love. But is exile their only way to happiness?
Jason, a man with no parenting experience, is on an adventure to win the hearts of his fiancé’s skeptical kids before they marry. The plan for them to fly to her parent’s remote cabin days before she wraps up work quickly falls apart and the adventure turns to a struggle to survive before this new family can start a life together.
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