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When Jarah loses her husband, her child, her land and her innocence she embarks on a brutal journey of of retribution and revenge that transforms into redemption and reconciliation.
The story follows Abby, a thirty-something artist living in Rhode Island caring for her husband William after he’s tragically injured in a bar fight. As she attempts to coax him back to health, James, her childhood sweetheart and unrequited love, attempts to coax her back into living life again herself. The complicated love triangle that ensues is touching, poignant, and concludes with a realization that’s as profound as it is beautiful.
Jacek loves heavy metal and his dog. He converts the country lanes outside his door into a racing track and bombs down them in his little car. When he and his girlfriend Dagmara take to the dancefloor, everyone runs for cover. He enjoys his existance as a cool misfit in an otherwise stuffy environment, and keeps his muscles toned working on a building site close to the Polish-German border where the world’s largest statue of Jesus is being constructed. But then his life is thrown badly off course by a terrible accident at work that completely disfigures him. Eagerly followed by the Polish media, Jacek becomes the first person in the country to receive a face transplant. He may be celebrated as a national hero and martyr, but he no longer recognises himself in the mirror. Meanwhile, the statue of Jesus grows taller and taller. Whilst events around Jacek come thick and fast, the film never loses sight of the bigger picture and instead brings things even more into focus.
When high-flying tech entrepreneur Carson Griffin believes himself guilty of killing a pedestrian while driving drunk, guilt and paranoia begin to unravel his life ahead of the launch of his new company as he plays a dangerous game of cat and mouse with June, the girlfriend of the deceased who is hell-bent on proving he is responsible.
Ignoring threats to his life, Harry returns to Hogwarts to investigate – aided by Ron and Hermione – a mysterious series of attacks.
In the midst of rehearsals for a new play, amateur dramatics proponents Colin and Kathryn receive the shattering news that their friend George is fatally ill and only has a few months to live.
Tangled in a troubled marriage, a frustrated couple finds hope in a watch-based app that rewards good deeds — until unhealthy obsessiveness takes over.
Early 18th century. Cartographer Jonathan Green undertakes a scientific voyage from Europe to the East. Having passed through Transylvania and crossed the Carpathian Mountains, he finds himself in a small village lost in impassible woods. Nothing but chance and heavy fog could bring him to this cursed place. People who live here do not resemble any other people which the traveler saw before that. The villagers, having dug a deep moat to fend themselves from the rest of the world, share a naive belief that they could save themselves from evil, failing to understand that evil has made its nest in their souls and is waiting for an opportunity to gush out upon the world.
The theme of the film is tribute to the single screen cinema halls that are rapidly becoming rare in India. Pranabendu Das is a retired film exhibitor from a small-town in West Bengal. He owns a movie theatre ‘Kamalini’ named after his separated wife. With the advancement of technology and the arrival of the digital medium, this man was compelled to let go of his theatre which projected films only on celluloid. Prakash is unperturbed by his father, Pranab’s condition. He is an opportunist, who would never give morality a chance while making himself an established businessman. He sells pirated DVDs of feature films in the town. This is a father-son relationship tale weaved through the beautiful backdrop of cinema. Pranab has always maintained himself as a true Cinemawala, whereas, Prakash is also spreading films among the people, but in a way not so acceptable to his father.
In 1922, an Irish rebel informs on his friend, then feels doom closing in.
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