A couple on the brink of ending their marriage spend a weekend in different cities. After a cataclysmic event strikes, the husband embarks on a physical and emotional quest to return home as a nation prepares for the worst.

In the clandestine research tower of a ruthless Japanese security and arms company, Saisei Security, scientist MALI awakens employed mercenaries killed in combat, their death giving rise to a new, vicious breed of zombie… ZOMBIE NINJAS. Trapped amongst unsuspecting civilians, including former tactical operative DILLON (Adam T Perkins), the ZOMBIE NINJAS commanded by a ferocious leader (Soa ‘The Hulk’ Palelei) are unleashed in the inner city high-rise. They soon face off with the covert response mission deployed to fight back. This elite black ops team underestimates the brutality of their encounter, which ultimately tests their loyalty and friendship, resulting in a frightful assault between these two highly skilled lethal forces and DILLON thrust in the middle fighting for survival.

It revolves around Glory (Angel), a 52-year-old woman who falls in love with Niko (Tony), a guy 30 years her junior. They start a risqué May-December love affair, but will struggle to keep their relationship intact amidst social disapproval and judgment.

After spending the last 30 years in prison, Horacia is immediately released when someone else confessed to the crime. Still overwhelmed by her new freedom, she comes to the painful realization that her aristocratic former lover had set her up. As kidnappings targeting the wealthy begin to proliferate, Horacia sees the opportunity to plot her revenge.

A young woman commits a hit-and-run, then finds her fate tied to her victim.

Jane wants to change the world with old-fashioned, hard-hitting journalism, but instead she’s covering the Founder’s Day Bake Sale for her hometown newspaper, The Baileyville Times. She has a way out: a plane ticket to New York City. But on the morning of Halloween, a young couple goes missing, and Jane sets off on an investigation that will draw her closer to her hometown — and its secrets — than she could have ever imagined.

Emily Lindstrom, 14, is an aspiring concert violinist; she’s spending the summer practicing for a big audition while her girlfriends are at camp. She’s also got a thriving neighborhood business: for 50 cents, she’ll keep your secret. Her mother is very pregnant, and her parents seem more concerned about the new baby than anything Emily cares about. A new family moves in next door; their son, Philip, 12, becomes Emily’s friend. Eventually, the weight of Emily’s secrets – her own, the ones she’s keeping professionally, and a secret Philip tells her, send her life temporarily crashing down.

Charlie and his troublesome cousin Paulie decide to steal $150000 in order to back a “sure thing” race horse that Paulie has inside information on. The aftermath of the robbery gets them into serious trouble with the local Mafia boss and the corrupt New York City police department.

Beginning with “The 400 Blows,” director Francois Truffaut made a series of films about the impetuous Antoine Doinel, in which this is the last. Antoine is now 30, working as a proofreader and getting divorced from his his wife. It being the first “no-fault” divorce in France, a media circus erupts, dredging up Antoine’s past. Indecisive about his new love with a store clerk, he impulsively takes off with an old flame.

A group of childhood friends celebrate their college graduation by going to a cabin in the woods. As hope for the future gives way to fear of the unknown, they start to suspect that something sinister may be stalking them.

When it was first released in Argentina, Pablo Trapero’s film had the highest opening box-office of all time. The key to that success is simply that The Clan is based on one of the most shocking crimes in the country’s history, the Puccio Clan case. In 1985, the news broke that the Puccios, a well-established Catholic family with five children from San Isidro, an upper-class suburb of Buenos Aires, kidnapped and held people hostage for ransom in their own home. The film is a disturbing, impressive, and beautifully controlled interpretation of those events, with Guillermo Francella’s magnificent depiction of the father, a performance for the ages.

In the wake of a devastating plague, that has killed most of the world’s population, a man named Rory searches for other survivors, for answers, and for hope in a post-apocalyptic world, where nothing is quite as it seems.