Daisy Kenyon (Crawford) is a Manhattan commercial artist having an affair with an arrogant and overbearing but successful lawyer named Dan O’Mara (Andrews). O’Mara is married and has children. Daisy meets a single man, a war veteran named Peter Lapham (Fonda), and after a brief and hesitant courtship decides to marry him, although she is still in love with Dan.
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A pair of business travellers have an affair and decide it might be easiest to just forget about it.
Akaash Vani is a romance film directed by Luv Ranjan, and produced by Kumar Mangat Pathak and Abhishek Pathak under the banner Wide Frame Pictures. After the cult hit Pyaar Ka Punchnama, AkaashVani is the second film from this producer-director duo.
In 1997, before the visit of the pope to Rio de Janeiro, Captain Nascimento from BOPE (Special Police Operations Battalion) is assigned to eliminate the risks of the drug dealers in a dangerous slum nearby where the pope intends to be lodged.
Paul is a U.S. truck driver working in Iraq. After an attack by a group of Iraqis he wakes to find he is buried alive inside a coffin. With only a lighter and a cell phone it’s a race against time to escape this claustrophobic death trap.
Mike Leigh’s much praised 2010 tragicomical drama. During a year, a very content couple approaching retirement are visited by friends and family less happy with their lives.
Rachel, a writing student in Los Angeles, finds her life disrupted when she receives news of her grandmother’s passing. At the encouragement of a trusted professor, she goes home to process the family’s trauma through her writing. Her return has both healing and painful revelations: a romantic rekindling with an old love interest and, most notably, the challenge of helping her brother as he struggles with issues of mental health and addiction.
Taking his inspiration from the biggest scandal in Japan’s police history, Kazuya Shiraishi has created a massive and sinister crime epic about the grand forces of corruption that brings to mind the best of Kinji Fukasaku’s yakuza movies (Cops vs. Thugs among others). Starting in 1970s Hokkaido like a nervous Japanese Starsky & Hutch–chan, the film charts the moral descent of Detective Moroboshi (Go Ayano) over three decades. Green in years but already hard‐grained and ready to play rough, the young cop quickly gets a bit too cozy with the other side of the law when his senior colleague Murai (Pierre Taki) teaches him the ropes and ruts of the police business. Soon, he swaggers and rants through the streets of Sapporo a lean, mean, sex‐crazy bully, indistinguishable from a yakuza. Burning with the same blaze as the hard‐boiled classics of yore, Twisted Justice scorches away the sleekness and macho self‐congratulation of the genre.
After taking a bullet to the head, Salander is under close supervision in a hospital and is set to face trial for attempted murder on her eventual release. With the help of journalist Mikael Blomkvist and his researchers at Millennium magazine, Salander must prove her innocence. In doing this she plays against powerful enemies and her own past.
A ruthless German spy, trying to get out of Britain with vital information about D-Day, must spend time with a young woman and her crippled husband.
Spaces and Reservations is an intimate and unsparingly realistic relationship drama that tells the story of a young couple being torn apart by malaise and infidelity, and the way the trauma of their breakup brings them back together. Jamie and Kacie have been dating for four years, and are separately beginning to feel the affects of malaise and disconnect. As they drift apart from one another and struggle to bridge the gaps growing between them, Jamie begins to develop feelings for another woman. After precariously flirting with infidelity, Jamie abandons this new pursuit and attempts to salvage his relationship with Kacie, only to discover that she too has fallen for someone else.
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