A sewerage worker’s dead body is found inside a manhole in Mumbai. An ageing folk singer is tried in court on charges of abetment of suicide. He is accused of performing an inflammatory song which might have incited the worker to commit the act. As the trial unfolds, the personal lives of the lawyers and the judge involved in the case are observed outside the court.
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Four harried housewives plan a weekend spa getaway but end up stranded in the wilderness when their plane goes down.
This twisted Iranian narrative follows a mysterious couple from Tehran as they distribute large bags of money in an impoverished mountain border town. Beginning as a black comedy, the film’s mood transforms as the games played by Kaveh (director Mani Haghighi) and Leyla (Taraneh Alidoosti) become increasingly perverse, as they find inventive ways of humiliating the recipients of the cash. The immorality of the central characters is at times sickening, and their chain of lies is often as puzzling to us as they are to the townsfolk depicted onscreen. What is the relationship between the pair and why are they giving away money to the needy? Modest Reception has no easy answers nor pat resolutions – instead Haghighi takes the viewer on an intriguing ride into the dark recesses of the human spirit.
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On their way to a sailing trip, an aging husband and wife invite along an emphatic young hitchhiker out of sheer patronization.
Dorian Gray, wishing to remain young and handsome for eternity, essentially sells his soul so that a portrait can age instead of him. Over the course of the years, Dorian commits every sort of sin, heavily influenced by his friend Lord Henry Wotton. But as his life goes on, he slowly realises the emptiness and evil which he has succumbed to.
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