Join The Beach Boy’s Brian Wilson on an intimate journey through his legendary career as he reminisces with Rolling Stone editor and longtime friend, Jason Fine. Featuring a new song written and performed by Wilson and interviews with Elton John, Bruce Springsteen, Nick Jonas, Linda Perry, Jim James, Gustavo Dudamel and Al Jardine.
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Many people think of Space as a quiet and desolate vacuum of emptiness, but new evidence reveals that space is rife with activity beyond our comprehension. Just as we sent Voyager and Pioneer probes beyond our solar system, Aliens have probes of their own that may have arrived as early as the 1600’s. While Tesla was the first to successfully communicate with neighboring worlds using radio waves, we have received recent signals from intelligent sources. In 1989, Russian Space Probe Phobos 2 photographed a UFO on the surface of Mars just prior to losing contact. Scientists have determined that the craft was real and of a thin elliptical shape over 20 miles in length. We are not alone in outer space and while the Aliens may be initiating contact, they could also be here already.
Steep traces the legacy of extreme skiing from its early pioneers to the daredevils of today.
The history of the East Lake Meadows public housing project in Atlanta and the people who lived there from 1970 to its demolition in 2000, with special emphasis on the activism of Eva Davis asserting the rights of the tenants.
A look at the varied new ways Americans are choosing to both find meaning and celebrate life as it comes to an end.
The grim woes that surrounded famed director Peter Bogdanovich and his film, “They All Laughed.”
In this concert film, ‘Hannah Montana’ star Miley Cyrus performs a slew of hit songs, including ‘Just Like You’ and ‘Life’s What You Make It.’
Ted DiBiase Jr. takes a journey through pro-wrestlings past to tell the faith-based story of his father’s rise, fall and redemption.
Away from professional stadiums, bright lights, and manicured fields, there’s another side of soccer. Tucked away on alleys, side streets, and concrete courts, people play in improvised games. Every country has a different word for it. In the United States, we call it “pick-up soccer.” In Trinidad, it’s “taking a sweat.” In England, it’s “having a kick-about.” In Brazil, the word is “pelada,” which literally means “naked”—the game stripped down to its core. It’s the version of the game played by anyone, anywhere—and it’s a window into lives all around the world. Pelada is a documentary following Luke and Gwendolyn, two former college soccer stars who didn’t quite make it to the pros. Not ready for it to be over, they take off, chasing the game. From prisoners in Bolivia to moonshine brewers in Kenya, from freestylers in China to women who play in hijab in Iran, Pelada is the story of the people who play.
Fighter pilot, inventor, spy – the life of Roald Dahl is often stranger than fiction. Through a vast collection of his letters, writings and archive, the story is told largely in his own words with contributions from his last wife Liccy, daughter Lucy and biographer Donald Sturrock.
Ken Loach’s 2013 documentary about social change in Britain in the aftermath of the Second World War, including the nationalisation of industries and the formation of the welfare state. Made almost entirely in black & white, so B&W archive footage from the 1940s blend in with interviews made today.
Anthony “The Mooch” Scaramucci may have been the shortest tenured White House Communications Director, but he sure left a big impression. Compiled over a four-year span, ‘Mooch’ tells the only-in-Trump’s-America story of an irrepressible hedge fund manager who rose from humble beginnings to stratospheric heights – only to watch the world laugh as he tumbled back down.
The film explores the role of photography, since its rudimentary beginnings in the 1840s, in shaping the identity, aspirations, and social emergence of African Americans from slavery to the present. The dramatic arch is developed as a visual narrative that flows through the past 160 years to reveal black photography as an instrument for social change, an African American point-of-view on American history, and a particularized aesthetic vision.
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