Raised in the Tennessee mountains, Wayne White started his career as a cartoonist in NYC. He quickly found success as one of the creators of the Pee-wee’s Playhouse TV show which soon led to more work designing some of the most arresting and iconic images in pop culture. Recently his word paintings featuring pithy and and often sarcastic text statements finely crafted onto vintage landscape paintings have made him a darling of the fine art world. The movie chronicles the vaulted highs and crushing lows of an artist struggling to find peace and balance between his professional work and his personal art. This is especially complicated for a man who struggles with the virtues he most often mocks in his art…Vanity, ego and fame.
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Pierre-Auguste Renoir is known and loved for his impressionist paintings of Paris. These paintings count among the world’s favourites. Renoir, however, grew tired of this style and changed course. This film, based on the collection of 181 Renoirs at the Barnes Foundation in Philadelphia,– examines the direction he then took and why it provokes such extreme reactions right up to today. Some claim they are repulsed by Renoir’s later works and some claim they are seduced. What may surprise many is that among the many artists who sought Renoir’s new works out and were clearly highly influenced by them were the two giants of the 20th century – Picasso and Matisse.
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Ireland’s victory over Italy at the World Cup in New Jersey in 1994, remains a source of Irish pride. But it is haunted by memories of a massacre: terrorists opened fire and killed six innocents while they watched the match in a small village pub in Northern Ireland. Remarkably, no one was ever charged for the crime. For more than twenty years the victims’ families have searched for answers. Now, at last, they may have found them. But what they learn turns a murder mystery into bigger inquiry relevant for us all: what happens when governments cover up the truth?
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