Feature length documentary about the story behind the pioneering and influential British heavy metal band as they enter the studio to record their new album.
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A story of enduring love between Leonard Cohen and his Norwegian muse, Marianne Ihlen. The film follows their relationship from their early days in Greece, a time of “free love” and open marriage, to how their love evolved when Leonard became a successful musician.
Evolutionary biologist Professor Armand Leroi believes data science can transform the pop world. He gathers a team of scientists and researchers to analyse over 50 years of UK chart music. Can algorithms find the secret to pop success? When the results are in, Armand teams up with hit producer Trevor Horn. Using machine-learning techniques, Armand and Trevor try to take a song by unsigned artist Nike Jemiyo and turn it into a potential chart-topper.
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Shot over a three-year period with unparalleled intimacy and access, ALL THIS PANIC is a feature length documentary that takes an intimate look at the interior lives of a group of teenage girls as they come of age in Brooklyn. A potent mix of vivid portraiture and vérité, we follow the girls as they navigate the ephemeral and fleeting transition between childhood and adulthood.
Ariana Grande takes the stage in London for her Sweetener World Tour and shares a behind-the-scenes look at her life in rehearsal and on the road.
In an unusual experiment, a thousand 17-year-old boys from Texas join together to build a representative government from the ground up.
The final word in the story of what really happened to Robin Williams at the end of his life, focusing on his fight against a deadly neurodegenerative disorder known as Lewy body dementia.
After running into a neighbourhood acquaintance at the local used record store who shared his list of 15 reasons to live, Alan Zweig felt a strong compulsion to make a film on the subject, despite his admission, “I didn’t make lists and I never thought about reasons to live.” From this inspiration begins a series of episodic chapters adapted to the themes of Ray Robertson’s collection of essays. The participants are as eclectic as the list, sharing personal anecdotes related to (among other themes) work, love, intoxication, humour, solitude, duty, home and death. Humorous and sometimes heartbreaking, Zweig’s compassion for his subjects and their stories, expressed through his conversational and candid interview style, ties these vignettes together in a visual essay that strikes deeper chords about finding meaning in our existence. Amongst his subjects’ reasons to live Zweig finds a couple of his own in his touching, honest and endearing way.
The film follows the artist as she prepares for what may be the most important moment of her life: a major retrospective of her work at The Museum of Modern Art in New York. To be given a retrospective at one of the world’s premiere museums is, for any living artist, the most exhilarating sort of milestone. For Marina, it is far more – it is the chance to finally silence the question she has been hearing over and over again for four decades: ‘But why is this art?’
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