A young woman who has faded to the point of becoming invisible must find her way back with the help of the one man who can see her.
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In the city of Orario, beneath an impossibly tall tower, lies the dungeon. Only adventurers who form partnerships with the gods themselves have any hope of defeating the monsters that lie within. But the dungeon is not the only place where monsters exist. Far from Orario, in the ruins of an ancient city, a new threat arises. To counter this threat, the goddess Artemis has come to Orario in search of a champion-but it’s not Ais Wallenstein (the legendary Sword Princess) nor Ottar (the strongest warrior to ever enter the dungeon) that she chooses. Rather it is Bell Cranel, a newbie adventurer partnered with a low-tier goddess.
A biologist signs up for a dangerous, secret expedition into a mysterious zone where the laws of nature don’t apply.
It’s been 29 years since someone lit the Black Flame Candle and resurrected the 17th-century sisters, and they are looking for revenge. Now it is up to three high-school students to stop the ravenous witches from wreaking a new kind of havoc on Salem before dawn on All Hallow’s Eve.
The beautiful princess Giselle is banished by an evil queen from her magical, musical animated land and finds herself in the gritty reality of the streets of modern-day Manhattan. Shocked by this strange new environment that doesn’t operate on a “happily ever after” basis, Giselle is now adrift in a chaotic world badly in need of enchantment. But when Giselle begins to fall in love with a charmingly flawed divorce lawyer who has come to her aid – even though she is already promised to a perfect fairy tale prince back home – she has to wonder: Can a storybook view of romance survive in the real world?
Not only is Jessica Spencer the most popular girl in school — she is also the meanest. But things change for the attractive teen when a freak accident involving a cursed pair of earrings and a chance encounter at a gas station causes her to switch bodies with Clive, a sleazy crook. Jessica, in the form of the repulsive Clive, struggles to adjust to this radical alteration and sets out to get her own body back before the upcoming prom.
A ship with toxic wastes was hijacked by pirates, only a girl with the ability of talking with animals can save the day.
Based on the story by Antoine deSaint-Exupery, this magical musical fable begins as a pilot (Richard Kiley) makes a forced landing on the barren Sahara Desert. He is befriended by a “little” prince from the planet Asteroid B-612. In the days that follow, the pilot learns of the small boy’s history and planet-hopping journeys in which he met a King, a businessman, an historian, and a general. It isn’t until he comes to Earth that the Little Prince learns the secrets of the importance of life from a Fox (Gene Wilder), a Snake (Bob Fosse), and the pilot.
After losing his parents, a priest travels to China, where he inherits a mysterious ability that allows him to turn into a dinosaur. At first horrified by this new power, a hooker convinces him to use it to fight crime. And ninjas.
After years of questioning why people fear him, Death (March) takes on human form so he can mingle among the mortals and find an answer. However, events soon spiral out of control as he falls in love with the beautiful young Grazia (Venable), the only woman unafraid of him. As he falls in love with her, her father, Duke Lambert (Standing), sees him for what he is and begs him to return to his duties. Death must decide whether or not to seek his own happiness, or sacrifice it so that Grazia may live.
Kari Wührer stars as a witch, who turns the king’s son Barek into an immortal berserker. The enmity between Barek and the witch extends to the present day in his attempts to become mortal again and break Odin’s curse.
Penny is tormented by a paranormal entity called Straw Man. Only the engmatic Librarian can help her fight this evil presence. Based on the graphic novel by James Willard and Patrick Beavers.
Told in four episodes, an unnamed artist is transported through a mirror into another dimension, where he travels through various bizarre scenarios. This film is the first part of Cocteau’s Orphic Trilogy, which consists of The Blood of a Poet (1930), Orpheus (1950) and Testament of Orpheus (1960).
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