Set during World War II, somewhere in Eastern Europe. A German soldier is found dead near the village. The local authorities must find the culprit, or they will be all shot by the Nazis the morning after. There’s no way to find the guilty one, but there’s Ipu, the madman of the village, whom they promise a hero’s funeral if he will claims responsibility and agrees to die in their place. He must decide, and time is running out.
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If Bugs Bunny were to direct his signature inquiry–“What’s up, doc?”–toward the modern-day Warner Bros. creative team, he wouldn’t be far off. For 1001 Rabbit Tales, they’ve doctored up a batch of classic cartoons featuring the carrot muncher and his bumbling comrades and bundled them, near seamlessly, into a feature-length film. Here’s the premise: Bugs and Daffy, both book salesmen, are competing to sell the most copies of a kids’ book. Instead of burrowing a beeline to his sales territory (he should have made a left at Albuquerque), Bugs ends up in the castle of Yosemite Sam, here a harem-leading honcho. Sam’s pain-in-the-spurs son, Prince Abalaba, needs somebody to read him stories; Bugs, who’d sooner take the job than suffer the alternative, that involving being boiled in oil, signs on.
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