Unlucky in love, strangled at work, and tormented at home, Joel Slater is desperately searching for a way to juggle his life. But sometimes, the secret to happiness begins with letting go.

A celebrated military contractor returns to the site of his greatest career triumphs and re-connects with a long-ago love while unexpectedly falling for the hard-charging Air Force watchdog assigned to him.

When a voyeuristic divorcee fixates on the lives of a perfect couple a far, she soon gets embroiled in a murder mystery that unfolds revealing truths about her own life.

The South African multi-award winning film about a young South African boy from the ghetto named Tsotsi, meaning Gangster. Tsotsi, who left home as a child to get away from helpless parents, finds a baby in the back seat of a car that he has just stolen. He decides that it his responsibility to take care of the baby and in the process learns that maybe the gangster life isn’t the best way.

Based on the autobiographical novel, the tempestuous 6-year relationship between Liberace and his (much younger) lover, Scott Thorson, is recounted.

There is a true story of a woman who died in her apartment and it took people a year to find her body decomposing in a crisp Chanel suit. A young man becomes obsessed with this urban tragedy and disappears, wondering if anyone will notice. A young woman who shares his commuting schedule DOES notice. And when he resurfaces, she decides to follow him setting of a chain of events that bind them together…

Wild Is the Wind represents a (perhaps deliberate) reversal of the situation in The Rose Tattoo (1955). Whereas in Tattoo, Anna Magnani played a widow who could never find a man to measure up to her late husband, in Wind her character, Giola, marries widowed rancher Gino (Anthony Quinn), who is haunted by the memory of his first spouse. The situation is dicier in Wind, since Italian immigrant Gino’s deceased wife was Giola’s sister. Eventually tiring of her husband’s mood swings, Giola turns to his son, Bene (Anthony Franciosa), for emotional and sexual gratification. A Hollywood approximation of the Italian neorealist school of filmmaking, Wild Is the Wind was based on Furia, a story by Vittorio Nino Novarese. ~ Hal Erickson, Rovi

A former Imperial Russian general and cousin of the Czar ends up in Hollywood as an extra in a movie directed by a former revolutionary.

Anna, a young teenager, comes home from her Catholic boarding school for the holidays and discovers her father has left. Her mother is devastated and confined in the company of the local priest, who is also a childhood friend. Anna clings to her beloved grandfather. She also grows close to Pierre, a free-spirited teenager who cares little about God. Anna is preparing for her confirmation, but her budding desire for Pierre shakes her faith. She longs to give herself over, body and soul… but doesn’t know if it is to God, or something else?

Kat and Ben, both locked in affairs, desire more from life. They bump into each other on the street and are immediately drawn to each other. Quickly sharing intimate details about their lives, whilst keeping their true selves harbored at bay. During the course of theirs drinks a married couple happens upon them, the married couple are their lovers. Now they must decide how to handle the rest of their night…

Carter, a troubled teen stays with a friend of his dads and starts flirting with her son Danny. After the weekend school returns, however Carter a school jock tells Danny he does not want to be seen with him at school. Their relationship grows outside school hours though & soon enough Danny falls in love with Carter & after Danny is attacked romance ensures, but can it last.

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