“100 Years” is the David vs. Goliath story of Elouise Cobell, a petite, Native American Warrior who filed the largest class action lawsuit ever filed against the United States Government and won a $3.4 billion settlement for 300,000 Native Americans whose mineral-rich lands were mismanaged by the Department of the Interior.
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The life and legacy of Richard Holbrooke, whose singular career spans fifty years of American foreign policy, is told in this documentary from Holbrooke’s eldest son David.
‘In Football We Trust’ captures a snapshot in time amid the rise of the Pacific Islander presence in the NFL. Presenting a new take on the American immigrant story, this feature length documentary transports viewers deep inside the tightly-knit Polynesian community in Salt Lake City, Utah. With unprecedented access and shot over a four-year time period, the film intimately portrays four young Polynesian men striving to overcome gang violence and near poverty through American football. Viewed as the “salvation” for their families, these young players reveal the culture clash they experience as they transform out of their adolescence and into the high stakes world of collegiate recruiting and rigors of societal expectations.
In this special documentary that inspired a two-season television series, scientists and other experts speculate about what the Earth, animal life, and plant life might be like if, suddenly, humanity no longer existed, as well as the effect humanity’s disappearance might have on the artificial aspects of civilization.
A love story about the legendary sexploitation director Joe Sarno and his loyal wife and business partner Peggy. The film relates their part in the history of sex film, their lives between New York and Sweden, and their struggle to produce one last erotic film.
The cold war, the space race, and NASA’s moon landing are landmark events that defined an era. But they are also fodder for conspiracy theories.
In Houston, We Have a Problem! filmmaker Žiga Virc adds new material to the discussion on both fronts. This intriguing docu-fiction explores the myth of the secret multi-billion-dollar deal behind America’s purchase of Yugoslavia’s clandestine space program in the early 1960s.
Acclaimed director Sacha Jenkins shines a spotlight on the life and rhymes of the ‘clown prince of hip-hop’, Biz Markie, best known for his Top 40 hit, “Just a Friend.” A who’s who of legends like rappers Rakim, Big Daddy Kane, Doug E Fresh and actor/comedian Tracy Morgan share how Markie’s playful approach to the genre made him a hip-hop icon and left an indelible mark in the world of music.
This film confronts the culture of violence surrounding trans women of color. It is told through the voices of Laverne Cox and Cece McDonald.
Meat the Truth is a high-profile documentary which forms an addendum to earlier films on climate change. Although such films have succeeded in drawing public attention to the issue of global warming, they have repeatedly ignored one of the most important causes of climate change: the intensive livestock production. Meat the Truth draws attention to this by demonstrating that livestock farming generates more greenhouse gas emissions worldwide than all cars, lorries, trains, boats and planes added together.
Born into one of the wealthiest and best-known families in American history, Gloria Vanderbilt has lived in the public eye for more than 90 years, unapologetically pursuing love, family and career, while experiencing extreme tragedy and tremendous success side by side. This documentary features a series of candid conversations as Vanderbilt and her youngest son, Anderson Cooper, look back at her remarkable life.
This is the tale of a young woman, growing up in the age of the internet and turning the search for oneself into a public spectacle, allowing kids from all over the world to live their life through hers. Through her fragmented personalities you see the emergence of a new generation, in which the concept of a fixed identity has grown old.
Taking more than six years to complete, The Cut is a feature-length documentary that conclusively proves that female genital mutilation or cutting (FGM) can be found as a native practice on all inhabitable continents. From war zones in the Middle-East to bucolic Middle America, the film visits 14 countries and features key interviews with FGM survivors, activists, cutters, doctors and researchers to uncover an often secret practice shrouded in centuries of traditions, mysticisms and irrationalities.
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