“100 Years” is the David vs. Goliath story of Elouise Cobell, a petite, Native American Warrior who filed the largest class action lawsuit ever filed against the United States Government and won a $3.4 billion settlement for 300,000 Native Americans whose mineral-rich lands were mismanaged by the Department of the Interior.
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This documentary delves into the mysteries surrounding the Neanderthals and what their fossil record tells us about their lives and disappearance.
In 2007, The Sci-Fi Channel premiered “Ghost Adventures,” a raw documentary in which 3 men go to Virginia City, NV and Goldfield, NV on a ghost hunting expedition. Virginia City is rife with macabre lore and reputed to be one of the most haunted cities in America. Ghost Adventures has won a Grand Jury Prize for Best Documentary that was given by the New York International Film & Video Festival.
Vancouver-based filmmaker and TV news veteran Fred Peabody explores the life and legacy of the maverick American journalist I.F. Stone, whose long one-man crusade against government deception lives on in the work of such contemporary filmmakers and journalists as Laura Poitras, Glenn Greenwald, David Corn, and Matt Taibbi.
After escaping Russia’s communist revolution, Leon Theremin travels to New York, where he pioneers the field of electronic music with his synthesizer. But at the height of his popularity, Soviet agents kidnap and force him to develop spy technology. Steven M. Martin writes and directs this intriguing documentary about a man’s “strange” music and his very interesting life as an inventor and influential musician.
‘In Football We Trust’ captures a snapshot in time amid the rise of the Pacific Islander presence in the NFL. Presenting a new take on the American immigrant story, this feature length documentary transports viewers deep inside the tightly-knit Polynesian community in Salt Lake City, Utah. With unprecedented access and shot over a four-year time period, the film intimately portrays four young Polynesian men striving to overcome gang violence and near poverty through American football. Viewed as the “salvation” for their families, these young players reveal the culture clash they experience as they transform out of their adolescence and into the high stakes world of collegiate recruiting and rigors of societal expectations.
Since 1912, baseball has been a game obsessed with statistics and speed. Thrown at upwards of 100 miles per hour, a fastball moves too quickly for human cognition and accelerates into the realm of intuition. Fastball is a look at how the game at its highest levels of achievement transcends logic and even skill, becoming the primal struggle for man to control the uncontrollable.
What would it be like if your last name was Hitler? Director Matt Ogens seeks that answer by intimately portraying a diverse group of individuals with that same unfortunate name.
Driven by a desire to understand why her best friend killed herself at 16, Jacqueline Monetta, 18 gets teens suffering to share their struggles with mental illness and suicide attempts. Through her intimate one-to-one interviews, Jacqueline, and the audience learn about depression, anxiety, self-harm, suicide attempts, getting help and treating mental illness. As their stories unfold, they assure the audience that mental illnesses, like physical illnesses, can and should be treated.
A documentary about the sport of boxing, as seen through the eyes of champions Mike Tyson, Evander Holyfield and Bernard Hopkins.
Depeche Mode Live in Berlin was filmed on location at the O2 World in Berlin on November 25th and 27th 2013 during the band’s extremely successful Delta Machine Tour, which saw them play to over 2.4 million people in 32 countries. Depeche Mode was touring in support of their lauded 13th studio album, Delta Machine, which debuted at Number 1 in 12 countries worldwide in March 2013. The concert not only includes performances of tracks from Delta Machine but also some of their most memorable and biggest hits including “Personal Jesus” and “Enjoy the Silence”.
A keen observation of a sun-dappled and still-watered swamp, Uncertain contemplates a frequently overlooked and enigmatic town whose lake, and only real source of income, comes under threat from an aquatic nuisance of the botanical variety. Perhaps unsurprisingly for a site so-named, there is a lack of consensus about the Texas town’s origin: whether the result of a surveyor’s confusion when marking an early map, or steamboat captains’ belief that docking there was an unknowable, impossible task, an auspicious beginning is offered for the unsettled and yearning inhabitants.
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