After rigorous testing in 1961, a small group of skilled female pilots are asked to step aside when only men are selected for spaceflight.

Eddie Griffin proves once more that he’s one of the world’s premiere comedic talents in his brand-new stand-up special You Can Tell ‘Em I Said It. Eddie unapologetically rips into everything from racial stereotypes to Viagra to the First Lady and will leave you gasping for air as he buzzes around the stage and literally climbs the walls. This uncut, uncensored stand-up special live from Oakland, California will keep you laughing long after he exits the stage and coming back to watch it again and again.

It is the largest movement the world has ever seen, it may also be the most important – in terms of what’s at stake. Yet it’s not east being green. Environmentalists have been reviled as much as revered, for being killjoys and Cassandras. Every battle begins as a lost cause and even the victories have to be fought for again and again. Still, environmentalism is one of the great social innovations of the twentieth century, and one of the keys to the twenty-first. It has arisen at a key juncture in history, when humans have come to rival nature as a power determining the fate of the earth.

Rose Marie, the untold story of fame, love, tragedy and 90 years of American entertainment through the eyes of the woman who did it all.

In the winter of 2011, after a controversial election, Vladimir Putin was reinstalled as president of Russia. In response, hundreds of thousands of citizens rose up all over the country to challenge the legitimacy of Putin’s rule. Among them were a group of young, radical-feminist punk rockers, better known as Pussy Riot. Wearing colored balaclavas, tights, and summer dresses, they entered Moscow’s most venerated cathedral and dared to sing “Mother Mary, Banish Putin!” Now they have become victims of a “show” trial.

Helvetica is a feature-length independent film about typography, graphic design and global visual culture. It looks at the proliferation of one typeface (which will celebrate its 50th birthday in 2007) as part of a larger conversation about the way type affects our lives. The film is an exploration of urban spaces in major cities and the type that inhabits them, and a fluid discussion with renowned designers about their work, the creative process, and the choices and aesthetics behind their use of type.

In his latest documentary, Sean Menard gives viewers an unprecedented look at Vince Carter: the six-foot-six, eight-time NBA All-Star from Daytona Beach who made waves in the Canadian basketball scene when he joined the Raptors in 1998.

Portrayal of the late Bradford playwright Andrea Dunbar. Andrea Dunbar wrote honestly and unflinchingly about her upbringing on the notorious Buttershaw Estate in Bradford and was described as ‘a genius straight from the slums.’ When she died tragically at the age of 29 in 1990, Lorraine was just ten years old. The Arbor revisits the Buttershaw Estate where Dunbar grew up, thirty years on from her original play, telling the powerful true story of the playwright and her daughter Lorraine. Also aged 29, Lorraine had become ostracised from her mother’s family and was in prison undergoing rehab. Re-introduced to her mother’s plays and letters, the film follows Lorraine’s personal journey as she reflects on her own life and begins to understand the struggles her mother faced.

Brian Jones, Jimi Hendrix, Janis Joplin and Jim Morrison all died at the age of 27 between 1969 and 1971. At the time, the coincidence gave rise to some comment, but it was not until the death of Kurt Cobain, about two and a half decades later, that the idea of a “27 Club” began to catch on in public perception, reignited with the death of Amy Winehouse in 2011. Through interviews with people who knew them, such as music stars, critics, medical experts and unseen footage, the lives, music, and artistry of those who died at 27 are investigated with a bid to find answers.