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This hidden-camera series follows four lifelong friends — Brian “Q”‘ Quinn, James “Murr”‘ Murray, Joe Gatto and Sal Vulcano — who take dares to an outrageous level. To find out who is best under pressure, the guys compete in awkward and outrageous hidden-camera hijinks with the loser performing what is deemed to be the most-mortifying challenge yet.
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Contestants from all walks of life compete for glory and $25,000 cash in an arena unlike any other.
Queer Eye is an American reality television series that premiered on the Bravo cable television network in July 2003. The program’s name was changed from Queer Eye for the Straight Guy after the third season to broaden the scope of its content. The series was created by executive producers David Collins and Michael Williams along with their producing partner David Metzler; it was produced by their production company, Scout Productions.
The show is premised on and plays with the stereotypes that gay men are superior in matters of fashion, style, personal grooming, interior design and culture. In each episode, the team of five gay men known collectively as the “Fab Five” perform a makeover on a person, usually a straight man, revamping his wardrobe, redecorating his home and offering advice on grooming, lifestyle and food.
Queer Eye for the Straight Guy debuted in 2003, and quickly became both a surprise hit and one of the most talked-about television programs of the year. The success of the show led to merchandising, franchising of the concept internationally, and a woman-oriented spin-off, Queer Eye for the Straight Girl. Queer Eye won an Emmy Award for Outstanding Reality Program in 2004. The show’s name was shortened to Queer Eye at the beginning of its third season to reflect the show’s change in direction from making over only straight men to including women and gay men. Queer Eye ended production in June 2006 and the final ten episodes aired in October 2007. The series ended October 30. In September 2008, the Fine Living Network briefly aired Queer Eye in syndication.
One Day at a Time is an American situation comedy that aired on the CBS network from December 16, 1975, until May 28, 1984. It starred Bonnie Franklin as Ann Romano, a divorced mother who moves to Indianapolis with her two teenage daughters Julie and Barbara Cooper with Dwayne Schneider as their building superintendent.
The show was created by Whitney Blake and Allan Manings, a husband-and-wife writing duo who were both actors in the 1950s and 1960s. The show was based on Whitney Blake’s own life as a single mother, raising her child, future actress Meredith Baxter. The show was developed by Norman Lear and was produced by T.A.T. Communications Company, Allwhit, Inc., and later Embassy Television.
Like many shows developed by Lear, One Day at a Time was more of a comedy-drama, using its half-hour to tackle serious issues in life and relationships, particularly those related to second wave feminism. The earlier seasons in particular featured several multi-part episodes, serious topics, and dramatic moments. As in other Lear shows of the era, the show was shot on videotape in front of a live audience, giving it a sense of immediacy, and close-ups were often employed during dramatic scenes. As the social climate changed in the 1980s, the show’s writing became less edgy, and as the girls became adults, the innovation of the original premise — a divorced mother raising teenage children — was lost. The show’s nine years give it the second-longest tenure of any Lear-developed sitcom under its original name, after The Jeffersons.
Simon Templar is The Saint, a handsome, sophisticated, debonair, modern-day Robin Hood who recovers ill-gotten wealth and redistributes it to those in need.
“Beyond the Tank” is a one-hour companion series from the producers of the Emmy-winning reality series, “Shark Tank.” Audiences familiar with the compelling ups and downs of the negotiations will be further engaged in the drama that takes place after the entrepreneurs’ appearance on “Shark Tank.” What lies in the aftermath of their investment? Did a promising deal turn sour, or did it lead to millions of dollars in sales? http://gg.gg/3xt3f
A live look inside the everyday calls of police officers across the nation.
R&B superstar-turned-minister Reverend Boyce “The Voice” Ballentine was living the high life in Las Vegas at the top of the music charts when he gets the calling to go from soul singer to soul saver. Relocating to St. Louis with his wife, Lolli and his daughter, Lyric to take over the preaching duties in his father’s church, his family is not exactly eager to give up the fabulous superstar life for a humble one.
A public flame-out at a New York media company forces 20-something alcoholic Samantha Fink to seize the only chance she has to sober up and avoid jail time: moving back home with her overbearing mother, Carol. Back in Greater Boston, Samantha restarts her life, working at the local grocery store while surrounded by all of the triggers that made her drink in the first place.
A behind-the-scenes look at a fictional sketch-comedy TV show.
A crime she committed in her youthful past sends Piper Chapman to a women’s prison, where she trades her comfortable New York life for one of unexpected camaraderie and conflict in an eccentric group of fellow inmates.
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